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2022; 4331; timp; 2 perc; strings

On May 25 2010, the New Zealand Parliament passed the Sentencing and Parole Reform Bill, also known as “Three Strikes” legislation, sponsored by David Garrett, the ACT Party, and the Sensible Sentencing Trust, and supported by the National Party, under Prime Minister John Key. The law imposes mandatory maximum sentences on offenders who commit three “Strike” offences, removing judicial discretion. An almost identical bill was passed in California in 1994. California’s crime rate remains 11% above the national average, its prison population has increased to nearly 200,000, and its recidivism rate is the highest in the United States.

• Taylor: Attention:; computer-set 

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• Taylor: Attention:; computer-set 

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• The APO Composers' Workshop 2010 

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Canzona 3 was originally written as incidental music for Rilke’s The Lay of Love and Death of Cornet Rilke. It is often performed together with Canzonas 1, 2 and 4.

• Lilburn: Four Canzonas; computer-set 

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• Aotearoa - Orchestral and String Music by Douglas Lilburn 

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• Canzona - Music for strings and voices 

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• Close to the Music - Wisconsin Chamber Orchestra  Year: 2004 

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• Vector Wellington Orchestra: Celebrate Wellington  Year: 2005 

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Canzona 4 was originally written as incidental music for Rilke’s The Lay of Love and Death of Cornet Rilke. It is often performed together with Canzonas 1, 2 and 3.

• Lilburn: Four Canzonas; computer-set 

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• Aotearoa - Orchestral and String Music by Douglas Lilburn 

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• Canzona - Music for strings and voices 

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• Close to the Music - Wisconsin Chamber Orchestra  Year: 2004 

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• Vector Wellington Orchestra: Celebrate Wellington  Year: 2005 

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32(1)2(1)2;4330;timp,perc,hp;strs

• Baxter and Heenan: Jack Winter's Dream  Year: 1978 

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• Baxter and Heenan: Jack Winter's Dream  Year: 1978 

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• War and Peace and Jack Winter's Dream - Incidental Music by Ashley Heenan  Year: 1987 

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2222; 3432; 5 perc; organ, harp, strings. (74 players in all) "Choreography" included.

• Dadson: MAYA; facsimile 

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• Dadson: MAYA; facsimile 

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• Buchanan Dadson Fisher: works 

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• Philip Dadson: Maya 

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• Fanfares for a New Millennium  Year: 2000 

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1110; 1000; pf(hd),perc; 66432

This suite of dances for small orchestra incorporates music originally written for the Jean Anouilh/ Christopher Fry play. It has become the composer’s most performed work.

This small orchestra version is the original 1953 scoring that was recorded for the NZ Players to take on tour. In that recording we used a “harpsichordized” piano (sheets of newspaper over grand piano strings) to give an extra “edge” to the sound; you’ll see the Waiteata score says “piano or harpsichord”, and it has been performed with harpsichord.

In writing the dances, I followed the play-script for the second act, keeping to regular 8-bar dance formulas and asking the director, Richard Campion, for approximate durations for each dance; (his original estimations usually turned out to be much too short!). Only one dance, the Tango, was danced on stage; here my wife-to-be, Raydia d’Elsa, helped me by going through the steps and fitting in the dialogue. (Letter from David Farquhar to Tom Bayliss.)

(Note by the composer.)

• Farquhar: Dance Suite from Ring Round the Moon; computer-set 

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• Farquhar: Ring Round the Moon: A Dance Suite; computer-set 

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• Farquhar: Ring Round the Moon - Ballet Suite; facsimile  Year: 1981 

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• Orchestral Music by Norman, Ritchie, Elmsly, Farquhar 

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• The Alex Lindsay Orchestra: Ring Round the Moon 

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• Ring Round the Moon  Year: 1963 

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• Alex Lindsay String Orchestra  Year: 1998 

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2(1)32(bass cl.)2 (contra bassoon); 432(1)0; timpani; 3 percussionists; harp; piano (or electronic equivalent); strings

An orchestral overture which has been described as “… a highly successful piece that could bear repetition not just in this context (Pops concerts) but in more traditional concerts.” Evening Post February 1993.

It has already had over 20 performances by four different orchestras and works well with a live juggler.

• Norman: The Juggler; facsimile 

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• Philip Norman: Orchestral Compositions 

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2 fl, 2 ob (2nd doubling c.a.), 2 cl, bsn, cbsn 4 hn, 3 tpt, 2 tbn, b.tbn, tba timp, 2 perc (Triangle, Mark Tree, Large Metal Oil Barrel, Clash Cymbals, Wooden Floor, Sleigh Bells, Suspended Cymbal, Snare Drum, Bass Drum) harp, strings

Walter Bolton was the last man executed for murder in New Zealand, hanged at Mt Eden Prison on 18 February 1957. He was convicted of poisoning his wife Beatrice with arsenic on their Whanganui farm.

The story of his trial, questionable guilt and subsequent execution continues to raise many questions. Is it right to take a person’s life in exchange for another? What if society’s judgement was wrong? Would our society have made the same judgement today?

But even more compelling than these moral questions is why a man like Walter Bolton would have been driven to murder in the first place. The prosecution contended that he had deliberately put sheep dip in her food; however arsenic was also found in the farm’s water supply – probably because it had leeched in from the normal daily use of that same sheep dip. The clincher for the jury’s guilty verdict was Walter’s admission that he had been having an affair with his sister-in-law, Florence – salacious but ultimately only circumstantial evidence. The decision to execute him was rushed: the trial took place shortly before Christmas 1956 and the judge and jury would have felt pressed to make it home to their families. Up until his death, Walter continued to maintain his innocence. Florence, a spinster, committed suicide soon after his execution and was rumoured to have left a note admitting to the killing.

This combination of our script and music is a fictionalised interpretation of these historical circumstances. We have put Walter Bolton in his Mt Eden Prison cell in the early dawn hours before his execution. His mind wanders to his deceased wife Beatrice, his lover Florence, and the grotesque pantomime of the judicial system as he saw it. In The Lover’s Knot, he awaits the hangman’s noose.

• Ellis: The Lover's Knot; computer-set 

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• Ellis: The Lover's Knot; computer-set 

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• Ellis: The Lover's Knot; computer-set 

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• Ellis: The Lover's Knot; computer-set 

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• The APO Composers' Workshop 2010 

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2*222; 2221; harp; timp.; perc. (glock., snare drum, bass drum, triangle, thundersheet); strings

• Schulz: Transmigration - Reincarnation of a Nightmare; facsimile 

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• Schulz: 'Transmigration - Reincarnation of a Nightmare'; facsimile 

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