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Lyell Cresswell  

A Modern Ecstasy

Duration: 45' 00" Year: 1986
for baritone, mezzo soloists and orchestra

Mike Nock  

Aotearoa

Duration: 40' 00" Year: 1981
suite for jazz piano and chamber orchestra

Lyell Cresswell  

Cello Concerto

Duration: 30' 00" Year: 1984
for cello and orchestra

  • Instrumentation
    3+pc,3+ca,3+bs-cl,3+c-bn; 4331;3perc,timp,hp;strs and solo cello.
  • Programme Note

    An essay in tension between soloist and orchestra. In the first movement long cello solos are contrasted with outbursts from the orchestra; in the second movement cello and orchestra merge – the cello sound coloured by various doublings; and the last movement is a moto perpetuo again contrasting soloist with orchestra. Premiered by cellist Alexander Baillie, conducted by Matthias Bamert and the Scottish National Orchestra.

  • Availability

Gillian Whitehead  

Eleanor of Aquitaine

Duration: 30' 00" Year: 1982
for mezzo and chamber orchestra

Tony Baker  

Scandanavian Suite

Duration: 30' 00" Year: 1984
for solo tenor sax and other instruments

Kenneth Young  

Symphony

Duration: 42' 00" Year: 1987
for orchestra

Edwin Carr  

Symphony No. 2 (The Exile)

Duration: 34' 00" Year: 1983
for orchestra

Hugh Dixon  

Undertow at Oakura

Duration: 30' 00" Year: 1988, r. 2004
dance theatre music for orchestra

  • Instrumentation
    (2)32(1)2(1)2; 4231; timp., perc.; strs.
  • Programme Note

    A moonlit scene on a lonely beach with long slow waves rising and receding. Gradually they become more intense; their inward and outward criss-crossing revealing a dangerous undertow. The music reaches a climax, and, certain motives representing two of the principal dancers are heard. The mysterious ‘chorus’ of sirens, of Part 1, is briefly heard, and the principal Siren appears moving front stage while the ‘chorus’ recedes. The principal male dancer now rises, and in a dream, and is drawn towards her. She leads him closer to the sea and they dance to the ‘sea’ and ‘siren’ music. As he tries to hold her, she again and again is allusive, and taunts him deeper and deeper until the sea engulfs him. He drowned and thrown back by the waves onto the beach.



    While living in retirement in Oakura I was given a synopsis by Val Deakin to write a ballet for her Dance Theatre in New Plymouth. She choreographed the second movement only and it was performed in New Plymouth with an ad hoc orchestra in 1989, myself conducting.

    Hugh Dixon, 22 November 2009

  • Availability

John Charles  

Utu

Duration: 32' 00" Year: 1982
music for a feature film produced by Geoff Murphy and Don Blakeney and directed by Geoff Murphy