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Stephan Prock  

Cages for the Wind

Duration: 20' 00" Year: 2012
a song cycle for soprano and orchestra

Neville Hall  

eye-glitter out of black air 3

Duration: 21' 00" Year: 2011
for wind quintet and orchestra

  • Instrumentation
    wind quintet (alto fl, ca, cl, bsn, hn); orchestra: 2 fl, 2 ob, ca, cl, bass cl, bsn, 2 hn, tpt, 4 tbn, tuba, 2 perc, harp, piano, strings (10,0,10,10,6)
  • Programme Note

    eye-glitter out of black air 3 is part of a cycle of works written for the Slovene wind quintet Slowind. To date, the cycle includes two wind quintets and solo pieces for each of the five members of the wind quintet. All of the chamber pieces from the cyle were peformed by Slowind at the Slowind Festival 2010 in Ljubljana, Slovenia.

  • Availability

Kenneth Young  

Portrait

Duration: 20' 00" Year: 2011
for solo violin and small orchestra

Chris Gendall  

Triple Concerto

Duration: 20' 00" Year: 2012
for violin, cello, piano and orchestra

  • Instrumentation
    violin, cello and piano soloists & orchestra: 2222, 4330, timp. 2perc, strings.
  • Programme Note

    Although the five movements of this piece traverse a variety of sonic terrain, they amalgamate to explore the distinction between diffused sounds and those in close proximity in rhythmic, harmonic and physical space.

    Apart from the third movement, which is a short interlude for trio alone, the names of the movements toy with the usual associations of such titles: the first movement’s “Procession” is from stage to audience. Nobody enters, but the music itself. The “Ritual” is one of frantic pursuit. The “Chorale” exploits some spontaneous (and often gnarly) voice leading. This is where the brass make their major contribution from their positions scattered around the hall. “Circuits” describes both the distribution of sound around the ensemble and some subtle, ever-decreasing circles of harmonic material.

    The “Orchestra Tacet” allows the NZTrio more prominence in a cadenza-like movement requiring some virtuosity to give the sense of sliding in and out of coherence. “They play a kind of music that seems to be constantly forgetting and then recovering its memory,” Gendall says.

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Lyell Cresswell  

Triple Concerto

Duration: 26' 00" Year: 2012
for violin, cello, piano and orchestra