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• Chen: A Rainbow; computer-set 

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• Chen: A Rainbow; computer-set 

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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Hardcopy - computer set
  
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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Hardcopy - computer set
  
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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
  $6.00
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set  

  Full score | Hardcopy - computer set
  
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A setting of a poem by Canadian poet Dennis Lee. “Dopey” comes from the 2007 poetry collection “Yesno”, evoking – in the author’s words – “a world in which the demolition derby and the possibility of living more constructively in the natural order are both real. And at once. So, not just no; not just yes; but yesno.”

• Palmer: Dopey; computer set 

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• Palmer: Dopey; computer set 

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This piece explores minute physical textures through the use of a custom-made piezo-electric disc. The composer uses these malleable sounds sounds with a multi-speaker arrangement to create an introverted, microscopic sound-world to envelop the listener from all angles.

• Jason Long: First Contact (left); part 1 of 4 

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• Jason Long: First Contact (right surround); part 4 of 4 

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• Jason Long: First Contact (right); part 3 of 4 

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• Jason Long: First Contact (left surround); part 2 of 4 

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Hawk: Seeking dust from a distant sun.

• Hunt: Three Quirky Microscores for Clarinet Quartet; computer-set 

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• Hunt: Three Quirky Microscores & A Flock of Fleeting Microscores; computer set 

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• Natalie Hunt: Hawk; audio 

  Media on Demand | Embedded
  

• Microscore Madness! - the New Zealand Clarinet Quartet 

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The lyrics consist of three simple syllables that could come from any number of languages. Samuel composed it after being inspired by a performance of Georgian traditional polyphonic vocal music at the Opéra Bastille in Paris.

• Gray: Heya; computer-set 

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• Gray: Heya; computer-set 

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This set of pieces follows on from two previous works written for groups of students at New Plymouth Boys’ High School (occasionally joined by students from the city’s Girls’ High School). The previous works were Undercurrent (2008) and Kristallnacht (2009). In each case the works were tailored to a specific group of students, for performance in the national chamber music competition.

Imagined Dances is a set of four pieces using traditional dance forms. The first is the slow and stately sarabands from the Baroque period. This dance form has a tendency to accentuate the second beat of the bar, and in this sarabande there is a constant shift from major to minor and back again. The second dance is Argentina’s tango – a seductive and sensual dance with its distinctive accompaniment rhythm heard first in the guitar. The third dance is a fast waltz, although in the middle the energy slackens off a little for a while before resuming its hectic pace through to the last bar.

The final piece of the set is titled Mexicana and doesn’t use any specific dance form, but does use rhythms typical of Mexican folk music and dances, especially the huapango with tis mix of duple and triple rhythms. It is lively and repetitive piece which dashes to the end of the cycle at top speed.

Imagined Dances was written for, and is dedicated to, Jocelyn Beath who retired as Head of Music at New Plymouth Boys’ High School at the end of 2009.

• Hamilton: Imagined Dances; computer-set 

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