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• Burch: Capriccio for Four Saxophones; facsimile 

  Score and parts | Hardcopy - facsimile
  

• Burch: Capriccio for four saxophones; facsimile 

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  $7.50
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• Chamber Works Vol 1 (NZ Composers Edition) 

  Vinyl (LP or EP)
  

• NZ Flora Series Vol 2  Year: 1972 

  Cassette
  
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• Saxcess 10th Anniversary  Year: 2002 

  CD
  
  $35.00
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• Rimmer: Compositions 1-5; electroacoustic part 

  Part - recorded | CD
  
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• Rimmer: Composition 1; electroacoustic part 

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• Rimmer: Composition 1; facsimile 

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• Rimmer: Composition 2; electroacoustic part 

  Part - recorded | CD
  
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• Rimmer: Compositions 1-5; electroacoustic part 

  Part - recorded | CD
  
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• Rimmer: Composition 2; facsimile 

  Parts - written | Hardcopy - facsimile
  
  $13.00
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• Rimmer: Composition 2; facsimile 

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• Chamber Works Vol 1 (NZ Composers Edition) 

  Vinyl (LP or EP)
  

• Concertante Ensemble - Wind Quintets  Year: 1980 

  Vinyl (LP or EP)
  

• Watson, A.: Concert Piece; facsimile 

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  $11.00
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• Waiteata Collection of New Zealand Music Vol. 1 - A Violin and Piano Recital  Year: 1999 

  CD
  
  $15.00
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• Release: The Mozart Fellowship  Year: 2012 

  CD
  
  $27.00
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• Farquhar: Concerto for Wind Quintet; facsimile 

  Score and parts | Hardcopy - facsimile
  
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• Farquhar: Concerto for Wind Quintet; facsimile 

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• Concertante Ensemble - Wind Quintets  Year: 1980 

  Vinyl (LP or EP)
  

• Freed: Diversion for 10 Brass Instruments; facsimile 

  Full score | Pdf - facsimile
  

• Freed: Diversion for 10 Brass Instruments; facsimile 

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  $19.00
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This is a very attractive and moderately easy Christmas carol arranged for SATB choir.

• Griffiths, D.: Dormi Jesu; computer-set 

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• Choral Works (NZ Composer Edition) 

  Vinyl (LP or EP)
  

• New Zealand Choral Music  Year: 1998 

  CD
  
  $25.00
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• Tower Voices New Zealand: A Voices Christmas  Year: 2004 

  CD
  
  $30.00
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For the composer, Fantasia is a particularly significant work. It was her first ever commission. Numerous performances in Europe by Tessa Birnie – including a premiere broadcast on Radio Turkey! – led to subsequent performances by other pianists. Displaying a new technical confidence from her studies with Peter Maxwell Davies, the work’s single unified structure marks a turning point in Whitehead’s composing method. The title, refers not so much to free fantasy but to the imagination required to create music from minimal material; in this case – the opening three-note motive. The work is in three sections, corresponding to these notes, and fabric of the entire piece is generated from them. There are patterns that emerge within sections, as well as those spanning the entire piece, (trills and tempi changes included). Because of the inherent symmetry of the generated material, with layers building up both forwards and backwards, Whitehead’s original intention was to make a palindromic structure, but it became instead a through-composed work with coda. (Programme note by Emma Carle and Jack Body).

• Whitehead: Fantasia on three notes; facsimile  Year: 1969 

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  $8.00
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• Tessa Birnie: Piano Music by New Zealand Composers 

  Vinyl (LP or EP)
  

• Waiteata Collection of New Zealand Music Vol. 3 - Composer Portrait: Gillian Whitehead  Year: 2000 

  CD
  
  $15.00
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Commissioned for the centenary celebrations of the University of Otago, New Zealand, in 1969, this work is built in five sections arranged as an arch. The first section consists of four ‘fanfares’ – the first fanfare is for six trumpets characterised by crescendo-diminuendo effects and long sustained notes which rise steadily through a series of semitonal steps to a climax; the second fanfare is for woodwind and percussion, the third is an extended version of the first, and the final fanfare modifies the second. This section leads directly into an agile, toccata-like allegro based on material from the trumpet fanfares. The third, central section is a long lento based on material from the woodwind fanfares. Here, biting dissonance and angular melody is replaced by gentle melodic lines and an ever-present backdrop of soft string chords. The fourth section returns to the character and ideas of the second leading to the work’s major climax which subsides into the original fanfares with which the work opened. Now, however, the music is turned back to front so that the gradual intensification of the opening becomes a process of gradual relaxation.

• Speirs: Fioriture for Orchestra; facsimile 

  Full score | Hardcopy - facsimile
  

• Speirs: Fioriture for Orchestra; facsimile 

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  $5.00
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• Jack Speirs: Fioriture; audio 

  Media on Demand | Embedded
  

• Tremain: Five Epigrams for Twelve Solo Strings; facsimile 

  Full score | Pdf - facsimile
  

• Tremain: Five Epigrams for 12 solo strings; facsimile 

  Full score | Hardcopy - facsimile
  
  $5.00
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• Ronald Tremain: Five Epigrams for Twelve Solo Strings; audio 

  Media on Demand | Embedded
  

• Music by Ronald Tremain  Year: 1967 

  Vinyl (LP or EP)