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Anzacs Remembered is a setting of a verse from For the Fallen by Laurence Binyon spoken each 6pm at RSA’s throughout Australia and New Zealand.

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
- Laurence Binyon

• Rimmer: Anzacs Remembered; computer-set 

  Score and parts | Pdf - computer set
  

• Rimmer: Anzacs Remembered; computer-set 

  Score and parts | Hardcopy - computer set
  
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• Rimmer: Anzacs Remembered; computer-set 

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• Rimmer: Anzacs Remembered; computer-set 

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A miniature for Clarinet Quartet based on aspects of Baroque dance music.

• Adams, C.: Arianna's Dance; computer-set 

  Score and parts | Pdf - computer set
  
  $15.50
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• Adams, C.: Arianna's Dance; computer-set 

  Full score | Hardcopy - computer set
  
  $17.50
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• Adams, C.: Arianna's Dance; computer-set 

  Full score | Pdf - computer set
  
  $14.50
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• Adams, C.: Arianna's Dance; computer-set 

  Score and parts | Hardcopy - computer set
  
  $18.50
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• Microscore Madness! - the New Zealand Clarinet Quartet 

  CD
  
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‘Baxter Songs’ is a setting of three poems by James K Baxter. The three poems are ‘High Country Weather’, ‘Let time be still’ and an extract from ‘Stephanie’. The first two poems were composed early in the poets career and express his more romantic sentiments. When I hear these poems, I think of Baxter as a young poet in the South Island (Otago and Canterbury universities) exploring the Otago hinterland. I think, too, of the early days of his relationship with Jacqui Sturm and imagine the two of them exploring the hills and mountains. The extract from ‘Stephanie’ is from much later in Baxter’s life. He is older now and life has had its way with Baxter (or perhaps the other way around?). The poem follows a family tragedy and there is a sense of heartbreak in the voice.

• Royal: Baxter Songs; computer set 

  Full score | Hardcopy - computer set
  
  $23.50
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• Royal: Baxter Songs; computer set 

  Full score | Pdf - computer set
  
  $19.50
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• Charles Royal: Baxter Songs; video 

  Media on Demand | External - video
  

In 2010, I co-wrote The Lover’s Knot with playwright Renee Liang as part of the 2010-2011 Auckland Philharmonia Orchestra Composer Workshops, which led to a performance with actor Stuart Devenie and conductor Kenneth Young. Stuart played the role of Walter Bolton, the last man given the death penalty in New Zealand, in the hours before his execution.

Various instruments represent various characters in this story – clarinet for Bolton’s flighty paramour Florence, contrabassoon for the stench of death, and harmon-muted trombones for the justice system. Bolton’s ailing wife Beatrice is represented by extensive solos for the cor anglais. At the request of Lee Martelli, Education Manager of the APO, I excerpted one of these into a demonstration piece for an education concert.

• Ellis: Beatrice; hire set 

  Score and parts | Hardcopy - computer set
  
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• Ellis: Beatrice; computer set 

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• Ellis: Beatrice; computer set 

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Black Sand began as an investigation of possible cello sounds and their variations, which I composed into a solo line using a devised compositional system, balancing initial conscious choices with chance elements. I also utilised an aleatory process to generate material for the rest of the ensemble by treating the possible gestural fragments in a number of categories (dynamics, articulation, instrumental technique, and orchestration). Underpinned by a rotational pitch structure, and due to the severe limitation on pitch and sonority, Black Sand unfolds as a bare and very atmospheric piece.

• Antonia Barnett-McIntosh: Black Sand - hardcopy score & parts 

  Score and parts | Hardcopy - computer set
  
  $40.00
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• Antonia Barnett-McIntosh: Black Sand - downloadable PDF 

  Score and parts | Pdf - computer set
  
  $27.00
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• Antonia Barnett-McIntosh: Black Sand; audio 

  Media on Demand | Embedded
  

• Antonia Barnett-McIntosh: Black Sand - downloadable mp3 

  Digital sound file - MP3
  
  $4.50
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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
  $6.50
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
  $7.00
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
  $6.00
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Hardcopy - computer set
  
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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

  Full score | Pdf - computer set
  
  $6.00
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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set  

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A setting of a poem by Canadian poet Dennis Lee. “Dopey” comes from the 2007 poetry collection “Yesno”, evoking – in the author’s words – “a world in which the demolition derby and the possibility of living more constructively in the natural order are both real. And at once. So, not just no; not just yes; but yesno.”

• Palmer: Dopey; computer set 

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  $10.00
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• Palmer: Dopey; computer set 

  Full score | Pdf - computer set
  
  $7.50
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