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fl. (3-3rd dbl picc.), ob. (3-3rd dbl CA), cl. in A (3-3rd dbl bass cl.), bsn (3-3rd dbl contra.), alto sax.; 4,3 (trumpets in C), 3,1; timp., perc. (5), hp, cel., pno; strings. Percussion includes tri., tambourine, sus. cymbal, clash cymbal, gong, xylophone, glock., bells, woodblk, claves, rattle, whip, side drum, bass drum.

• Lilburn: A Birthday Offering; computer-set  

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• Lilburn: A Birthday Offering; facsimile  Year: 1991 

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• Douglas Lilburn: A Song of Islands  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Douglas Lilburn: Orchestral Music  Year: 1995 

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• Douglas Lilburn: Orchestral Works   Year: 2004 

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10 singers, childrens' chorus, orchestra: 2121; 2200; perc., pno; strings

A Christmas opera in 3 acts, based on a Ngaio Marsh play, and including audience participation in a number of carols.

• Farquhar: A Unicorn for Christmas; facsimile 

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• Farquhar: A Unicorn for Christmas; facsimile 

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• Farquhar: A Unicorn for Christmas 

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• Farquhar: Anniversary Duos for Two Guitars; facsimile 

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• Farquhar: Anniversary Duos for Two Guitars; facsimile 

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optional accompaniment

This is a very attractive and moderately easy Christmas carol arranged for SATB choir.

• Griffiths, D.: Dormi Jesu; computer-set 

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• Choral Works (NZ Composer Edition) 

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• New Zealand Choral Music  Year: 1998 

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• Tower Voices New Zealand: A Voices Christmas  Year: 2004 

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• Farquhar: Festival Te Deum; facsimile 

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• Farquhar: Festival Te Deum; facsimile 

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(1)22(1)22(1);06(3C,2B-flat)31;4perc;pf;cel;strs

Commissioned for the centenary celebrations of the University of Otago, New Zealand, in 1969, this work is built in five sections arranged as an arch. The first section consists of four ‘fanfares’ – the first fanfare is for six trumpets characterised by crescendo-diminuendo effects and long sustained notes which rise steadily through a series of semitonal steps to a climax; the second fanfare is for woodwind and percussion, the third is an extended version of the first, and the final fanfare modifies the second. This section leads directly into an agile, toccata-like allegro based on material from the trumpet fanfares. The third, central section is a long lento based on material from the woodwind fanfares. Here, biting dissonance and angular melody is replaced by gentle melodic lines and an ever-present backdrop of soft string chords. The fourth section returns to the character and ideas of the second leading to the work’s major climax which subsides into the original fanfares with which the work opened. Now, however, the music is turned back to front so that the gradual intensification of the opening becomes a process of gradual relaxation.

• Speirs: Fioriture for Orchestra; facsimile 

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• Speirs: Fioriture for Orchestra; facsimile 

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• Jack Speirs: Fioriture; audio 

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Dependant on the size of the choir, passages marked "solo" can be sung by either a single voice, a small group, or by the whole section concerned

• Farquhar: I Sing of a Maiden; facsimile 

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• Farquhar: I sing of a maiden; facsimile 

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• Second Treasury of Christmas Music; computer-set 

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• Farquhar: Jubilate Deo; facsimile 

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• Farquhar: Jubilate Deo; facsimile 

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• Ritchie J. : Kyrie and Gloria; facsimile  Year: 1967 

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• Ritchie J.: Lord when the sense of thy sweet grace; computer-set 

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• John Ritchie: Lord, When The Sense of Thy Sweet Grace; video 

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• Choral Works (NZ Composer Edition) 

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• Southern Youth Choir in Concert 

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• New Zealand Choral Music  Year: 1998 

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• A Sound Came from Heaven  Year: 2007 

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• The Jubilate Singers: Southern Landscapes  Year: 2011 

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