Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

Bryony Jagger  

A Mother's Carol

Duration: 03' 00" Year: 1977
for SATB choir with soprano and alto solos

John Rimmer  

A Song of Humility

Duration: 03' 00" Year: 1978
for solo soprano and SA choir

Carol Shortis  

An Tuiream Bais

Duration: 06' 00" Year: 2009
a Gaelic death dirge for a cappella SSAATTBB choir

  • Programme Note

    The Carmina Gadelica, known in Gaelic as Ortha nan Gaidheal, is a six-volume collection of orally-transmitted prayers, poems, blessings and other material, collected by the folklorist Alexander Carmichael in the Highlands and Islands of Scotland in the second half of the nineteenth century. Carmichael subsequently translated this material, and edited the first two volumes. The death dirge An Tuiream Bais was published in the third volume, edited by Alexander’s grandson, James Carmichael Watson. I have set the first, fourth, fifth and sixth verses in the original Gaelic language.

  • Availability

Bryony Jagger  

Ave Verum Corpus

Duration: 03' 00" Year: 1977
for counter-tenor, two tenors, baritone and bass

Andrew Perkins  

Ave Verum Corpus - Fantasia

Duration: 07' 00" Year: 1994
for pipe organ

Anthony Young  

Be Still

Duration: 03' 30" Year: 2009
for SATB choir

  • Programme Note

    Much of my work is a marriage (or balancing act) between the Western art music tradition and my own position in time and place. Along with many forms, I have had a love for sacred choral music from Mediaeval times through to the present, but in not being a Christian, I have felt a reluctance to set text in which I don’t fully believe.

    In reading the work of spiritual author, Eckhart Tolle, I have discovered a new connection with biblical texts. Tolle quotes the line “Be still, and know that I am God” in his book A New Earth, as an example of a universal truth that is at the heart of all religions and belief systems. In this text “God” may be seen as the Christian God, an omnipresent spiritual dimension or the universe personified. This line, and the rest of the text, is from Psalm 46. In setting this text I have found an opening into the world of sacred choral music that aligns with my own beliefs.

    Anthony Young

  • Availability

David Griffiths  

Beata Virgo

Duration: 04' 00" Year: 1974
for 12 part (SSSAAATTTBBB) choir

Ronald Dellow  

Bless, O Lord, us thy Servants

Duration: 02' 00" Year: 1994
for SSA chorus with unison semichorus

Denise Hulford  

Cantata: A Disciple Dreams

Duration: 18' 00" Year: 1985
for soprano, tenor, flute, cello, organ and SATB chorus

Jack Speirs  

Cantico del Sole

Duration: 15' 00" Year: 1989
for soprano soloist, mixed choir and chamber orchestra

  • Instrumentation
    3000;0330; perc, hp, pf; strings
  • Programme Note

    Commissioned by the Schola Cantorum of Dunedin to celebrate its 125th Jubilee in 1988, this work for for soprano soloist, mixed choir and orchestra sets the first part of S. Francesco d’Assisi’s Canticle of Brother Sun.

    The Canticle is an expression of the medieval belief in the beauty, goodness and intelligibility of the created world. It is also an expression of Francis’s own idea of all creation living in a spirit of fraternity and community. This vision of the total reconciliation of humanity with the universe is symbolized in a number of ways. One such is the ordering of the elements in pairs, which combine the masculine and feminine: sun-moon, wind-water, fire-earth.

    In this setting, the soprano soloist represents the feminine principle, and the choir the masculine. A version of the work has been arranged for a smaller orchestra, with organ replacing the strings. The work has been described by one critic as “one of the most exciting and satisfying works for choir and orchestra by a New Zealander”, and by another as a work which “will undoubtedly continue to be performed regularly on account of its accessibility and performability”.

  • Availability