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• Buchanan: Late Song; computer set 

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• Buchanan: Late Song; computer set 

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• Samuel Gray: Live at Jazid 

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The march is connected with both military and alternative political gatherings. Trying to understand the form, I’ve been listening to Purcell’s Queen’s Funeral March, the conga playing of Quebec Summit protestors and the strangely military snap of Old Mother Hubbard (performed by the US Air Force Band). Revisiting this nursery rhyme, I was struck by the revolutionary aspirations of the last verse: The dame made a curtsey, The dog made a bow; The dame said, “Your servant,” The dog said, “Bow, wow.”

• Palmer: Mother Hubbard; electroacoustic part 

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• Palmer: Mother Hubbard; computer set 

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• Palmer: Mother Hubbard; computer-set 

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• Palmer: Mother Hubbard; computer-set 

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• Palmer: Mother Hubbard; computer-set 

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• Palmer: Mother Hubbard; electroacoustic part 

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• Music by Juliet Palmer I 

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• McKenzie: Observation; computer-set 

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• McKenzie: Observation; computer-set 

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• Music by Lachlan McKenzie 

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The Voice Inside, a concerto for violin, soprano and orchestra, was commissioned by the BBC and comprises settings of seven poems by Ron Butlin relating to the violin.

The various movements of the concerto explore different relationships between the two soloists and the orchestra. The soprano is mostly unaccompanied in the first movement, but as life is breathed into the violin it refuses to be hushed by the voice. The first scherzo is a game of tag and catch between the two soloists, with the orchestra acting as a referee. As befits a concerto, confrontation between violinist and orchestra begins the third movement. This grows into a three-way conflict once the soprano enters. The slow movement is an intense cantilena for the two soloists, with, for the most part, light orchestral accompaniment. In the second scherzo flashy violin writing alternates with orchestral outbursts and the soprano’s attempt to reel off the names of virtuoso violinists. The burlesque, with its reference to twelve equal tones, makes some misguided allusions to the Violin Concerto by Alban Berg, and the last movement is a desperate plea,simply asking to be heard.

Notes taken from Cresswell: The Voice Inside, NAXOS 8.570824

• Cresswell: The Voice Inside; computer-set 

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• Lyell Cresswell: The Voice Inside 

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