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Kit Powell  

Chinese Songs

Duration: 16' 00" Year: 1988
for high soprano and tape

  • Programme Note

    First performed in a concert of the Swiss Computer Music Center with soloist Franziska Staeheli. Later performances in Bern (with a short lecture about it by me) and in Schaffhausen. Bruno Spoerri also played the tape abroad, in a demonstration of our work here.

    Preparation for the work involved analysis of several Chinese instruments; Ch’in (a zither), gong and wood block. The wave analysis was done with a computer program and my imitations were realized on the Computer Music Center’s DMX. There are two sets of texts: from the Tao Te Ching (Lao Tse) and from the I Ching. The Lao Tse texts were chosen by me and set with traditional notation. The I Ching texts were chosen by chance (with the computer) and set with a computer generated graphic notation. Proportions within the piece were also made with a computer program using chance and units of Golden Section. (More details in the introduction to the score).

    This piece could be performed with two singers: one singing the Tao texts, the other singing the I Ching texts.

  • Availability

Kit Powell  

Father's Telescope

Duration: 15' 00" Year: 1989
a playful music theatre piece for singer, speaker and tape about power and submission

Ross Harris  

Fluchtig

Duration: 06' 00" Year: 1986
for flute and tape

  • Programme Note

    Fluchtig was composed in 1986. The title comes from the German word fluchtig – fleeting – used by Schoenberg and others in various compositions (eg. Op. 19 No. 1). The work is built around the interaction between flute multiphonics (two or more notes played simultaneously) with their characteristic ‘fleeting’ nature, and FM sound on tape.

  • Availability

John Elmsly  

Gestauqua

Duration: 09' 00" Year: 1989
for brass quintet and tape

John Rimmer  

Marathon

Duration: 12' 00" Year: 1982
For cello and tape delay

Kit Powell  

Nelson Songs

Duration: 12' 00" Year: 1986
for male singer and tape

John Rimmer  

Projections at Dawn

Duration: 12' 00" Year: 1985
for B flat clarinet and electronic sounds

Jack East  

The Lullaby

Duration: 07' 00" Year: 1985
for string quartet and tape

David Hamilton  

The Moon is Silently Singing

Duration: 09' 00" Year: 1985
for two SSATB choirs and two horns

  • Instrumentation
    second horn can be replaced by pre-recorded tape
  • Programme Note

    Scored for two SSATB choirs with two homs, this work sets a poem by Miguel de Unamuno in Spanish. This work has been performed in Australia, England and the USA, as well as throughout New Zealand.

    It is a setting of a short poem by the Spanish poet Miguel de Unamuno (1864-1936) and begins by setting the text in a fragmentary manner, choosing single key words from the poem: canta (singing), luna (moon), sosegada (lulling), blanca (white), and sola (alone). Throughout, I have sought to evoke a mood of stillness and calm (except at the two main climaxes), and much of the writing consists of simple diatonic chords alternating between the two choirs. The work ends, as it began, alternating the words ‘canta’ and ‘luna’.

    The unusual scoring came about through my friendship with a fine horn player and singer – a flippant comment about unorthodox combinations of forces (although I have heard one other work for horn and choir) providing the germ of idea which eventually did bear fruit.

    The Moon is Silently Singing is one of my most widely preformed works internationally, having been heard in Australia, Canada, Germany, England and the USA.

  • Availability

Gillian Whitehead  

The Pirate Moon

Duration: 1h 30' 00" Year: 1986
opera