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This arrangement of God Defend New Zealand was one of the twenty national anthems arranged by Anthony Ritchie for the 2011 Rugby World Cup in New Zealand. Ritchie also conducted four of the games, and the arrangements were recorded by the New Zealand Symphony Orchestra and the New Zealand Choral Federation.

• Ritchie, A.: God Defend New Zealand; computer set  

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• Ritchie, A.: God Defend New Zealand; computer set 

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Written for the official welcome of the University of Otago Arts Fellows for 2011.

• Chris Adams: Haere Mai - hardcopy score 

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• Chris Adams: Haere Mai - downloadable PDF 

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3*3*3*3*; 4331; Timp; 2 Perc.; Organ; Strings

Mahuika for organ and orchestra was, like several of my pieces, given a title in its infancy. In the way that a child grows into her name over time, Mahuika has developed a particular character during the process of writing. The work is not programmatic, but the origins of its name have come to influence the work: Mahuika, a Maori fire goddess, is awakened into her full terrifying extreme, utilising the full range and capacity of both the Auckland Town Hall organ and the Auckland Philharmonia. Mahuika evokes the sense of a young teenage goddess full of ideas and vitality but without the opportunity to yet develop and explore them fully.

The work has the potential to mature into a full-scale organ symphony of around 30-40 minutes: if anyone is in a position to fund her to grow further please contact me to discuss.

• Chris Adams: Mahuika - hire set 

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• Chris Adams: Mahuika - hardcopy score 

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• Chris Adams: Mahuika - downloadable PDF 

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3 flutes, 3 clarinets, 2 alto saxophones, 2 tenor saxophones, 3 trumpets, 2 trombones, euphonium, tuba, violoncello (optional), string bass, timpani, percussion I (high conga, low conga, medium tom, low tom), percussion II (high bongo, low bongo, high tom, medium tom), percussion III (tambourine, high woodblock, low woodblock), percussion IV (suspended cymbal, wind chimes, triangle) and percussion V - xylophone (medium sticks), with piano and SATB choir

Based on the simple idea: “If Lake Taupo was a piece of music, what would it sound like?”

This mass musical work, commissioned especially for the ERUPT Lake Taupo Festival 2010 through the SOUNZ Community Commission, takes its inspiration from the people and places of Taupo.

Featuring lyrics submitted by local writers, Moana Ataahua is a spectacular mix of symphonic, choral and percussive elements that erupts into an exciting finale.

• Youens: Moana Ataahua; computer-set 

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• Youens: Moana Ataahua; computer-set 

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These two a cappella folksong settings were written for the 2011 – 2012 NZSSC to sing during their NZ concerts and on their trip to the Ihlombe South Africa Music Festival in July 2012 . The settings were based on existing folk melodies and texts and were designed to challenge the choir. ‘Lullaby’ is a gentle song featuring both Maori and English text, in which a mother encourages her child to go to sleep. The rousing ‘Altered Days’ relates a tale of changed fortunes, for the better, of an emigrant from Scotland to New Zealand.

• Richard Oswin: Sweet Sleep and Altered Days - hardcopy score 

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• Richard Oswin: Sweet Sleep and Altered Days - downloadable PDF 

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• NZSSC: Akoako i te rangi CD  Year: 2012 

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Deep in the bush where there were no cicadas singing, the moist smell of soil, a small stream, dark ferns. The middle of the ponga fern looked as if it would be a perfect bed to curl up in. I half believed there were bush dwelling creatures that did live and sleep there, watching me from the shadows.

• Holmes: Through Coiled Stillness; computer-set 

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• Holmes: Through Coiled Stillness; computer-set 

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• Holmes: Through Coiled Stillness; computer-set 

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