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This is a lively 9-minute piece is written for a full-sized amateur orchestra. It evokes the music of East European bagpipes, which the composer experienced while studying in Budapest, in 1984.

• Ritchie A.: Balkan Bagpipes; facsimile 

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This suite of four short pieces is aimed at the younger pianist, of Grade 3 – 4 level. Sunrise, children playing, a runner and a carnival have become the subjects for imaginative musical interpretation.

• Ritchie A.: Caroline Bay Suite; computer-set  Year: 2003 

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• Goss: Circles; computer-set 

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• Goss: Circles; computer-set 

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• Parker: Credo; computer set 

  Vocal score | Pdf - computer set
  

• Parker: Credo; computer-set 

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• Parker: Credo; computer-set 

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• Parker: Credo; computer-set 

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• Parker: Credo; computer-set 

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• Brent Parker: Credo 

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• Brent Parker: Credo, Guitar Concertinos, En France 

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Dream Bird was written in 2009 for harpist Ingrid Bauer. The title is a reference to a painting by the composer’s mother, Katrin, of a bird she had seen in a dream. The piece is dedicated to Katrin.

• Tabea Squire: Dream Bird - downloadable PDF 

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• Tabea Squire: Dream Bird - hardcopy score 

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• Ingrid Bauer: Dreambird  Year: 2011 

  CD
  

Echoes was written for the Puspawarna Gamelan Group at the University of Otago. I have long enjoyed the sounds of the gamelan, and welcomed the invitation by Dr Shelley Brunt to compose something for Puspawarna. Although I knew some rudimentary things about the instruments, composing this piece gave me the opportunity to learn a great deal more. Being able to play a little in the ensemble was invaluable, as was advice provided by leader Joko Susilo, Shelley, Chris Watson (Mozart Fellow at Otago University) and one of my students, Ali Churcher, who coincidentally was writing a piece for gamelan at the same time.

Echoes is the first piece I have written without using a piano at all to compose. Having been to a gamelan rehearsal I found a tune popping into my head during a walk to the dairy. I developed this tune on the computer (using vibraphone sounds to represent the gamelan), layering it into a canon, or round. Two further tunes appear, based on different home notes, but all the tunes use the same pelog scale. They are decorated and varied, before the opening tune returns like an echo at the end. The idea of echoes is also evoked by the canons, and the ringing sounds of the gamelan itself. Echoes have a spiritual significance, I think; sound waves return to a listener in the same way memories flood the brain when triggered by something special happens. They induce a reflective state.

• Ritchie, A.: Echoes; computer-set 

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• Ritchie, A.: Echoes; computer-set 

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• Music by Anthony Ritchie 

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• Buchanan: Five Witchy Poo Songs; facsimile 

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• Bray: Four Characteristic Pieces for Grade 4; computer set 

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Four pieces within the reach of an amateur ensemble; they provide a gentle introduction to four different 20th century styles. Four pieces within the reach of an amateur ensemble; they provide a gentle introduction to four different 20th century styles.

• Utting: Four Poems for String Orchestra; facsimile 

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• Utting: Four Poems for String Orchestra; facsimile 

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• Utting: Four Poems for String Orchestra; facsimile 

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• Utting: Four Poems for string orchestra; facsimile 

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Henna appears in two collections of carols. In a 2008 revision it is No. 5 from the Five Carols for 3 and 4 Parts. The original version of the carol appears in my earlier collection Sun Festival Carols.

• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Five Carols for 3 and 4 Parts; computer-set 

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• McLeod: Henna; computer-set 

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• McLeod: Henna; computer-set 

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