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Helen Fisher  

Bone of Contention

Duration: 1h 20' 00" Year: 1993
a dance work for mezzo-soprano and ensemble

Lyell Cresswell  

Cello Concerto

Duration: 30' 00" Year: 1984
for cello and orchestra

  • Instrumentation
    3+pc,3+ca,3+bs-cl,3+c-bn; 4331;3perc,timp,hp;strs and solo cello.
  • Programme Note

    An essay in tension between soloist and orchestra. In the first movement long cello solos are contrasted with outbursts from the orchestra; in the second movement cello and orchestra merge – the cello sound coloured by various doublings; and the last movement is a moto perpetuo again contrasting soloist with orchestra. Premiered by cellist Alexander Baillie, conducted by Matthias Bamert and the Scottish National Orchestra.

  • Availability

Christopher Blake  

Concerto Aoraki

Duration: 38' 00"
concerto for violin and orchestra

Bryony Jagger  

Dreams in the Grass

Duration: 35' 00" Year: 1979
A fantasy for mezzo-soprano, treble recorder and narrator

  • Instrumentation
    treble recorder plays triangle, narrator should be male voice, and the mezzo is also required to dance. This work can also be performed by one person as a concert work, if the dance is omitted. Songs can be performed as separate works.
  • Availability

Samuel Gray  

Free composition, Oslo

Duration: 30' 09" Year: 2002
solo prepared grand piano and solo voice, both through electronic effects and amplifier; metal and wooden percussive objects

John Rimmer  

Galileo

Duration: 1h 30' 00" Year: 1998
a chamber opera using for 6 singers, small chorus and 8 players, also using electroacoustic music and DVD of visuals

  • Instrumentation
    Television newsreader (spoken voice), Nobelman (baritone), Castelli (tenor), Galileo (baritone), Boy/Angel (mezzo soprano), Three Priests (tenor/baritones), Heretic (baritone), Christina (soprano), Military Man (baritone), Sea Captain (baritone), Troubadour (mezzo soprano), Cardinal Bellarmino (tenor), Pope Urban VIII (bass baritone), Pope John Paul II (baritone), small chorus of townspeople; flute doubling piccolo, oboe, clarinet doubling bass clarinet, horn, piano, percussion, violin and cello. Electroacoustic music played through at least eight loudspeakers. DVD of visuals.
  • Availability

Gillian Whitehead  

Hotspur

Duration: 35' 00" Year: 1980
for mezzo soprano and chamber ensemble

  • Instrumentation
    clarinet, clarinet/bass-clarinet, violin/viola, cello, percussion (marimba, 9 drums in high to low sequence, drum of fluctuating pitch, bass drum, 5 suspended cymbals, ching - Thai finger cymbals, bell tree, rasp, 2 woodblocks, 3 temple blocks, wood chimes)
  • Programme Note

    This monodrama for mezzo soprano and chamber sextet, commissioned by Northern Arts UK, tells of the 14th century North of England warrior Henry Percy (Hotspur), seen through the eyes of Elizabeth Mortimer, in a striking ballad sequence written by Fleur Adcock.

    Whitehead’s imaginative score combines exotic and arresting instrumental colours, a strong dramatic vocal line (often with flamboyant flourishes) and an admirable overall conception of the mood changes and tonal graduation of the work. (William Dart, NZ Listener)

    She has the rare gift of knowing when to us nightmarish vehemences and when to be utterly straightforward and calm. (Roger Covell, Sydney Morning Herald).

  • Availability

Gillian Whitehead  

Ipu

Duration: 42' 00" Year: 1997
for narrator, taonga puoro (Maori instruments), jazz piano and cello

Jonathan Besser  

Jean

Duration: 1h 30' 00" Year: 1990
ballet in three acts for full orchestra, based on the life of Jean Batten

Samuel Gray  

Live at Jazid

Duration: 41' 32" Year: 2001
an improvisation using upright prepared piano, metal and wooden objects