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Denise Hulford  

Bold as Brass

Duration: 15' 00" Year: 1992
for brass quintet

  • Instrumentation
    trumpet in C; trumpet in B flat; horn in F; tenor trombone; tuba
  • Programme Note

    Bold as Brass is written for a brass quintet consisting of two trumpets, horn, trombone and tuba. The work is designed to show to best advantage the varying qualities and abilities of each of these instruments, and accordingly there are solo passages and cadenzas for each. Hulford has experimented with each line as a “voice” and has manipulated and blended the differing timbres to excellent effect. The composition is in 3 movements. The first and third of these are reasonably fast and are somewhat aggressive in nature while the second is slower and reflective. The world premiere of the work occurred in Seoul, Korea, in October 1993 by members of the Korean National Orchestra. The work has not been performed in its entirety in New Zealand.

  • Availability

David Farquhar  

Concerto

Duration: 18' 00" Year: 1992
for guitar and chamber orchestra

  • Instrumentation
    1110; 1000; Perc.; strings (clar. in A)
  • Programme Note

    The Concerto was commissioned by Matthew Marshall and the Wellington Regional Orchestra (now Vector Wellington Orchestra), completed in May 1992 for a first performance planned for November 1992, and later postponed until May 1993.

    This work is in three movements (quick – slow – quick), but these are connected by cadenza-like links for the guitar soloist, so that the music is continuous. In view of the balance problems in a guitar concerto I have written for a small orchestra (flute, oboe, clarinet, horn, percussion and strings), and treated the relationship between solo and orchestra in a concertante style – sharing material rather than opposing each other, and aiming throughout to make the guitar easily audible. Dance rhythms, with touches of rhumba and jazz, predominate in the quick movements, while the slow central movement uses variable speed tremolo on the guitar to enhance its singing qualities.

  • Availability

Dorothy Buchanan  

Duo Concertante

Duration: 18' 00" Year: 1992
for solo violin and solo cello with chamber orchestra

Dorothy Buchanan  

Fragments and Letters

Duration: 18' 00" Year: 1992
a song cycle for voice, clarinet and cello

Juliet Palmer  

Love is a Thing

Duration: 15' 00" Year: 1992
for soprano, harp and harpsichord

  • Programme Note

    What thing is love? for, well I wot love is a thing. It is a prick, it is a sting, It is a pretty pretty thing; It is a fire, it is a coal, Whose flame creeps in at every hole; And as my wit doth best devise, Love’s dwelling is in ladies’ eyes: From whence do glance love’s piercing darts That make such holes into our hearts; And all the world herein accord Love is a great and mighty lord, And when he list to mount so high, With Venus he in heaven doth lie, And evermore hath been a god Since Mars and she played even and odd. - George Peele (1558-1596)

  • Availability

Clare Maclean  

Love was his meaning

Duration: 15' 00" Year: 1992
for SSAATTBB choir

Anthony Ritchie  

Sinfonietta

Duration: 15' 00" Year: 1992
for small orchestra

Ross Carey  

Sonata

Duration: 18' 00" Year: 1992
for viola and piano

  • Programme Note

    A sonata in three movements, composed while I was a student in Japan. The mood of the piece owes something to Shostakovich’s late Sonata for the same forces.

  • Availability

Gillian Whitehead  

The Journey of Matuku Moana

Duration: 18' 00" Year: 1992
for solo cello

Eve de Castro-Robinson  

Tumbling Strains

Duration: 15' 00" Year: 1992
for violin and cello