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Suite of pieces with poems that can be read between movements or omitted.

• Jagger: A Nursery of Pain; facsimile 

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First performed in a concert of the Swiss Computer Music Center with soloist Franziska Staeheli. Later performances in Bern (with a short lecture about it by me) and in Schaffhausen. Bruno Spoerri also played the tape abroad, in a demonstration of our work here.

Preparation for the work involved analysis of several Chinese instruments; Ch’in (a zither), gong and wood block. The wave analysis was done with a computer program and my imitations were realized on the Computer Music Center’s DMX. There are two sets of texts: from the Tao Te Ching (Lao Tse) and from the I Ching. The Lao Tse texts were chosen by me and set with traditional notation. The I Ching texts were chosen by chance (with the computer) and set with a computer generated graphic notation. Proportions within the piece were also made with a computer program using chance and units of Golden Section. (More details in the introduction to the score).

This piece could be performed with two singers: one singing the Tao texts, the other singing the I Ching texts.

• Powell: Chinese Songs; computer-set 

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• Powell: Prepared Tape  Year: 1994 

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• Barclay: Circular Concerto; facsimile 

  Parts - written | Hardcopy - facsimile
  
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• Barclay: Circular Concerto; facsimile 

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Flute Concerto No. 1 was written during 1987 for The Nova String of Wellington and their flute soloist, Karen Batten. This group gave the first public performance of this concerto at The Laings Road Methodist Church, Lower Hutt, during July 1988.

• Biddington: Concerto for flute and string orchestra; facsimile 

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• Biddington: Concerto for flute & string orchestra; facsimile 

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• Eric Biddington - Flute Concerto No.1 

  Digital sound file - MP3
  
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• Biddington: Flutes Concertos and Chamber Music  Year: 2001 

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This work for narrator, tenor and symphony orchestra highlights the impact on nature of man’s questionable progress. This idea is taken directly from Hone Tuwhare’s poem The Sea! To The Mountains! To The River which is the text for the soloist. Evolution is one continuous movement interspersed with nine vocal sections.

• Hulford: Evolution; facsimile 

  Full score | Pdf - facsimile
  

• Hulford: Evolution; facsimile 

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• Powell: Father's Telescope; electroacoustic part 

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• Powell: Father's Telescope; computer-set 

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• Kit Powell: Father's Telescope; audio 

  Media on Demand | Embedded
  

• Harlow - Powell: Radio NZ Archive Recordings 

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This work is dedicated to the composer’s piano teacher, Rosemary Miller Stott. It is in three contrasting movements. The first, an allegro, is in sonata form, and features nervous, darting ideas which become more animated in the middle section. The second movement opens with a chorale-like theme, expressing feelings of nostalgia. The fidgety middle section builds up more tension, before being combined with the chorale theme. The finale releases the tensions of the earlier movements, and has a happy, sunny character. Initially inspired by a Beethoven sonata, the rondo theme builds up to a big climax before ending quietly.

Piano Sonata 1988 (opus 29) was written when the composer was Mozart Fellow at the University of Otago.

• Ritchie A: Piano Sonata 1988; facsimile 

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• Ritchie A.: Piano Sonata 1988; facsimile 

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• Expressions - piano music by Anthony Ritchie  Year: 2010 

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• McLeod: Rock Sonata No.1; computer-set 

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• McLeod: Rock Sonata No. 2; computer-set 

  Full score | Pdf - computer set
  

• McLeod: Rock Sonata No. 2; computer-set 

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• Moon: Quasi recitative from "Sonata for Flute and Piano" 

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• Moon: Sonata for Flute and Piano; facsimile 

  Score and parts | Hardcopy - facsimile
  
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• Little Dancings - a selection of flute music by New Zealand composers  Year: 1998 

  Score and parts | Hardcopy - computer set
  
  $35.00
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