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Denise Hulford  

Evolution

Duration: 18' 00" Year: 1985
for narrator/tenor and orchestra

  • Instrumentation
    2220;2221;timp,2perc (xylo, bell tree, cymbals, gong, bass drum, triangle, tambourine, woodblocks, guiro, snare drum, vibraphone);strs.
  • Programme Note

    This work for narrator, tenor and symphony orchestra highlights the impact on nature of man’s questionable progress. This idea is taken directly from Hone Tuwhare’s poem The Sea! To The Mountains! To The River which is the text for the soloist. Evolution is one continuous movement interspersed with nine vocal sections.

  • Availability

Kit Powell  

Father's Telescope

Duration: 15' 00" Year: 1989
a playful music theatre piece for singer, speaker and tape about power and submission

John Charles  

Iris

Duration: 17' 00" Year: 1984
music for film

Gillian Whitehead  

Pao

Duration: 16' 00" Year: 1981
for mezzo-soprano, piano and clarinet

  • Programme Note

    ‘Pao’ is the name given by Maori to two-lined epigrammatic songs which comment on a wide range of subjects such as love, war, politics or religion; often topical, often improvised. Most of the songs set here were collected in 1864 from Maori prisoners captured during the the land wars in the Waikato area south of Auckland. The couplets are not connected in any way except for the central group, for unaccompanied voice, concerning Pikeri, a character famous at the time for his escapades evading the police; in this instance, enforced separation during a love affair is charted.

    The English translations of these pao are used with the kind permission of the late Margaret Orbell, and come from her Maori Poetry, an introductory anthology (Heinemann, 1978).

    Pao was commissioned by the Northumberland-based Syrinx Trio, with financial assistance from Northern Arts; the first performance was given by Syrinx in Newcastle in 1981.

  • Availability

Dorothy Freed  

Sounds and Winds of Wellington

Duration: 15' 00" Year: 1988
pastiche or farce for narrator and chamber ensemble