Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

Ashley Heenan  

A Maori Suite

Duration: 14' 00" Year: 1966
for soprano, mezzo, choir and orchestra

Anthony Ritchie  

Children and Adults

Duration: 10' 00" Year: 1992
four songs for soprano, clarinet and piano

  • Programme Note

    Children and Adults was conceived as a song cycle, commissioned by Rosemary Stott for the Klarion Trio in 1992. The different ways that children and adults view the world has been a recurring source of fascination for the composer (who has reared three children of his own). This is encapsulated in these four settings, in which issues such as life, death, survival and creativity emerge as the main themes.

  • Availability

Anthony Ritchie  

Children and Adults

Duration: 10' 00" Year: 1992
four songs for mezzo soprano, viola and piano

Anthony Young  

Concertino for Orchestra

Duration: 10' 00" Year: 2005, r. 2010

  • Instrumentation
    22*22; 4331; timp., perc. (2 or 3), hp; strings
  • Programme Note

    This piece is affectionately known as ‘Bugs’ or ‘the Bug piece’ to me, and that is what it is about: the wonderful creepy crawlies native to New Zealand. Motivation for writing this piece came from two sources. As part of my residency with the Auckland Philharmonia in 2004, I was required to write a piece for a concert specifically at children and families. Naturally, it needed simple structures, lots of energy and a bit of fun.

    The second motivation with regard to a specific programme was a love for all native New Zealand fauna, and not just beautiful birds. So much music has been written with bird song or in celebration of New Zealand’s landscape. But nothing to my knowledge had been written about the humble creatures which often inspire revulsion rather than awe. Despite their not so cuddly appearance, native insects and invertebrates are just as fascinating and unique to these islands of ours as any other endemic wildlife.

    The first movement is Giant Weta. Often the most notorious for exciting disgust, these magnificent insects are quite amazing, but all to often fall prey to introduced mammals.

    The second movement is titled Giant Snails. Native giant snails are enormous, and often live in kauri trees, or feed on giant earthworms on the forest floor.

    The Nelson Cave Spider is a extremely unique creature. Like so many other creatures and plant life of New Zealand, it is a relic of ancient times and preserved by New Zealand’s isolation.

    Finally, perhaps the most unusual of all is the Peripatus, sometimes known as the velvet worm, a blue centipede-like creature that crawls through undergrowth in search of prey.

  • Availability

Craig Utting  

Five Campbell Songs

Duration: 10' 00" Year: 1990
for voice, piano and viola

Jonathan Crehan  

Five Lyric Pieces

Duration: 12' 00" Year: 2005
for solo piano

John Rimmer  

Manukau Refrains

Duration: 13' 00" Year: 2007
for three percussionists and orchestra

  • Instrumentation
    2222;2200;3 perc;harp;strings perc 1: timp, large susp. cym., snare,guiro,large log drum, small rain stick perc 2: marimba, medium suspended cymbal, snare drum, guiro, medium log drum perc 3: vibraphone, small suspended cymbal, snare drum, guiro, small log drum
  • Programme Note

    ‘Manukau Refrains’ is a delicate, colourful piece for 3 percussionists and community orchestra inspired by images of wading birds (‘manukau’), shifting patterns of water and sand in an environment teeming with life. In performance, the percussionists are spaced apart with the timpani in their usual position at the rear of the orchestra and the marimba and vibraphone in front of the orchestra. Each percussionist also plays a variety of small non-tuned instruments such as guiros, small drums and Pacific log drums. After a soft introduction, the ‘refrain’ begins as a short rhythmic pattern played by the timpani and is extended on each of its repetitions. Gradually instruments from the orchestra are drawn into this activity which accelerates as the piece progresses. The music builds to a climax followed by a short coda which reminisces on the mood of the opening.

  • Availability

Rosie Langabeer  

Milly Mae-Moet

Duration: 12' 06" Year: 2007
for mixed chamber ensemble of 17 players

  • Instrumentation
    2 alto voices, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, trumpet, 2 trombones, sousaphone, electric guitar, banjo, piano, piano accordion, cello, double bass and drum kit
  • Programme Note

    Milly Mae-Moet is dressed up like a picture, anticipating the carnival today, with carousels and horses, hot air balloons. Ribbons in her hair and petticoat of crinoline, dance in the wind. Mother Mae-Moet buys candy-floss and toffee, pretty balloons for her, darling Milly Mae grows stubborn and persistent, wants more balloons. She has dreams of flying, never gives up trying for one more balloon. Milly Mae-Moet is willful and unyielding she gets her way, one more balloon, to take her away. Happily flying away too high to save…

    This piece tells the story of Milly Mae-Moet, the stubborn yet admirably driven girl who convinces her mother to buy her all the balloons at the carnival so she my fulfill her dream of flying. She happily ascends (much to her mothers distress) through the insect layer into the bird layer and eventually into infinity.

    The piece is a combination of scored sections and work-shopped improvisations that were developed with the ensemble in December 2007.

  • Availability

Denise Hulford  

Recollections 1

Duration: 13' 00" Year: 1994
for SSAA choir, soloist and harp

David Griffiths  

Six Legs or More

Duration: 10' 00" Year: 1976
For piano