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This “reverse theme and variations” was realized in Studio B of the Experimental Music Studiols at University of Illinois, Urbana, USA. Distorted beyond recognition, and then increased in speed to the point of white noise, the “theme” or sound source is revealed in the final moments. And, as should be the case, John Barrymore has the last word.

• Stolen Music - New Compositions by Matthew Davidson  

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• Stolen Music - Chamber and Electronic Music by Matthew Davidson  Year: 1996 

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• John Rimmer: Fleeting Images  Year: 1993 

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• John Rimmer: Fleeting Images  Year: 1993 

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• John Rimmer: Fleeting Images  Year: 1993 

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• Susan Frykberg Electroacoustic Music 

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• Susan Frykberg: Astonishing Sense 

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Composed for a dance production called The Race, which was staged during 1992, this work is a playful look at the movement of animals.

• New Zealand Music for Creative Dance (Volume Two) 

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• David Downes: Saltwater  Year: 1993 

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• New Zealand Sonic Art Vol II  Year: 2000 

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• David Downes: Death Defying  Year: 1997 

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• David Downes: Death Defying  Year: 1997 

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• Denis Smalley: Sources/scenes  Year: 2000 

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