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• Holmes: Colloquium; facsimile 

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• Holmes: Colloquium for two flutes and guitar; facsimile 

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• McLeod: Music for four; computer-set 

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• McLeod: Music for Four; computer-set 

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• McLeod: Music for Four; facsimile 

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• Cree Brown: Piece for flute and guitar; computer set 

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• Keay: Quartet for Piano, Violin, Viola and Cello; facsimile 

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• Keay: Quartet for Piano, violin, viola and cello; facsimile  Year: 1987 

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• Keay: Quartet for Piano, violin, viola and cello; facsimile  Year: 1987 

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Written at the 1986 Cambridge Music School and premiered there, this work utilises flute with 3 percussionists: C# crotale, one timpani, suspended cymbal, vibraphone 4 roto-toms. Two particular uses of glissando occur in the music – the flautist is called upon to execute a tremolo while overblowing to produce an upward rush through the upper harmonics; and the percussionist is asked to place the crotale upside down on the timpani head then to strike the crotale sharply and manipulate the timpani pedal – this causes the crotale pitch to fluctuate.

• Hamilton: Slides 3, 5, 6 and 8; facsimile 

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• McLeod: Suite: Jazz Themes; facsimile 

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• McLeod: Suite: Jazz Themes; facsimile 

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• McLeod: Suite: Jazz Themes; facsimile 

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• Jenny McLeod: Suite-Jazz Themes 

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It is for amplified clarinet (with Ibanez Digital Delay DM1100), percussionist and drum machine (Roland TR606). It is for two human performers and a machine.
After extensive use of realtime signal processing during live performances with Ivan Zagni, Peter Scholes composed this piece for a series of concerts and a Radio New Zealand recording with percussionist Bruce McKinnon. The music contrasts the human performers with the mechanical precision of the drum machine. Sometimes the clarinet or the drum machine are processed through a delay device, the settings of which are varied throughout the piece to create different delay times and feedback effects.

The use of real time signal processing was also used by the composer in his composition “Islands II” which represented New Zealand in the 1993 UNESCO International Rostrum of Composers.
Later, Peter Scholes composed “Bonk” for Bruce McKinnon and the NZSO.

• Peter Scholes: Time For Three - downloadable PDF 

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• Peter Scholes: Time For Three - hardcopy score 

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• Peter Scholes: Time For Three; audio 

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Under the African Sun comes from Passengers, a music theatre work by Fiona Farrell. First Produced in Palmerston North to commemorate Suffrage Year, the play is based on the experiences of young women coming to New Zealand in the mid-nineteenth century on one of the early sailing ships. The ship is becalmed in equatorial waters and one of the women gradually loses her mind, jumps overboard and drowns.

• Caskie: Under the African Sun; computer set 

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• Caskie: Under the African Sun; computer-set 

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• Caskie: Under the African Sun; facsimile 

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• Little Dancings - a selection of flute music by New Zealand composers  Year: 1998 

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A long time fascination with the movement and sound of water provided the stimulus for a work in which I concentrated on the idea of simulating the interplay of different rates of movement in various sound textures. These range from the gentle movement in a pool to the turbulence of a swift flowing river.

With the Current was commissioned by the Australian new music ensemble Flederman with funding from the Queen Elizabeth II Arts Council of New Zealand and the New Zealand Composers Foundation. The work was first performed by this ensemble at the University of Adelaide on 6 May 1986.

This work was recorded by the Karlheinz Company in March 1989.

• Rimmer: With the Current; facsimile 

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• Rimmer: With the Current; facsimile 

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• Rimmer: With the Current; facsimile 

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• Waiteata Collection of New Zealand Music Vol. 10 - John Rimmer: Chamber Music  Year: 2008 

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