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• Norris: 14 Islands; computer set 

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• Norris: 14 Islands; computer set 

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• Michael Norris: 14 Islands; audio 

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• Two works by Michael Norris 

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• Adams, C.: Athena's Nymphs and the Downfall of Troy; computer-set 

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• Adams, C.: Athena's Nymphs and the Downfall of Troy; computer-set 

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A canon for three on eleven notes of the chromatic scale; in eight sections and a coda. Composed for the Auckland Philharmonia Ensemble Philharmonia concerts, where this canon received its first performance in November 2006.

• Carey: Canon for Three; facsimile 

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• Carey: Canon for Three; facsimile 

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This work was written especially for two great friends (and myself): clarinet virtuoso and winner of the 2009 NZSM Concerto Competition, Andrzej Nowicki, and the multi-talented Kylie Nesbit, whose unusual viola-bassoon combination particularly amuses me. The cycles-within-cycles and extreme performance requirements of the piece are directly inspired by Jack Body’s Epicycle string quartet; while the rhythms are inspired by traditional Chinese erhu.

Anton Killin

• Killin: Cycles, Shadows; computer-set 

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• Killin: Cycles, Shadows; computer-set 

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• Anton Killin: Cycles, Shadows 

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Incus is the third and final piece in series of three trios collectively entitled Middle Ear. The incus (or anvil) is a bone in the chain of three that transmit vibrations from the eardrum to the internal ear in the process of transformation of external sound waves to an emotional or cognitive response within the listener. The work (somewhat arbitrarily) incorporates elements from J.S. Bach’s harmonization of the chorale Christus, de uns selig macht, and was influenced by the late novellas of Samuel Beckett.

• Holloway: Incus; computer set 

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• Holloway: Incus; computer set 

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• Samuel Holloway: Incus; audio 

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Nocturne & Sunrise was commissioned by Serenata a Tre for performance during their 2009 tour of New Zealand. It was written for performers Donald Maurice, viola, Barbara Hill, flute, and Giovanni Seneca, guitar. The work is in one continuous movement, divided into three sections:
1. Languid but uneasy

2. Slow, creeping

3. Fast, energetic

The trio was started while the composer was on study leave in France. It is inspired by the transition from evening through night and on to morning. Different moods and atmospheres are created, from the slightly moody opening that bursts into a rock-like passage, through to the sounds of night-time in a small Parisian apartment – with distant echoes of footsteps, doors shutting, and so forth. There is tension and uncertainty in this middle section, which is then dispelled by the buoyant final section, a gig.


This creation of this work was funded by The University of Otago, as part of the composer’s 2008 study leave.

• Ritchie, A.: Nocturne & Sunrise; computer-set 

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• Ritchie, A.: Nocturne & Sunrise; computer-set 

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• Ritchie, A.: Nocturne & Sunrise; computer-set 

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• van den Broek: Reason emotion; computer-set 

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• Alex van den Broek: Reason Emotion 

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In Java, sama sama “that’s fine” is the usual friendly response to terima kasih “thankyou”.

This piece is my response to a vividly memorable time spent attending a contemporary composition festival in Jogja when I was the Jack C Richards/Creative New Zealand resident composer (2008-2009).

Helen Bowater

• Bowater: sama sama; computer set 

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• Bowater: sama sama; computer set 

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• s3d (ear & eye) - LIVE at Galatos / AK07  Year: 2009 

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• Rimmer: Tacking Duel; computer-set 

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• Rimmer: Tacking Duel; computer-set 

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• Rimmer: Tacking Duel; computer-set 

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