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The title ‘Grauschlieren’, meaning “grey streaks”, is taken from a painting by Gerhard Richter, and this torso for clarinet quintet is an attempt to render audible some of the notions of greyness, repetition and blurring prompted by Richter’s work.

• Gardner: Grauschlieren; computer-set 

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• Gardner: Grauschlieren; computer-set 

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• Gardner: Grauschlieren; computer-set 

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• Gardner: Grauschlieren; computer set 

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• James Gardner: Selected Works 

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Although each of the nine miniatures that comprise this set is a self contained formal entity, there are strong cyclic elements, particularly in their rhythmic and harmonic make up. These correspondences are due to the fact that all of the pieces draw from the same pool of source material. The nine pieces are arranged symmetrically around the central solo violin cadenza. The lengths of the pieces have been carefully controlled to reinforce this symmetrical arrangement.

• Hall: It begins...; facsimile 

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• Hall: It Begins; facsimile 

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Tag: as in the children’s game; the soloist is ‘it’.

Release: a release for the composer (and his performers) from previous modes of engagement with small ensemble music that have almost always required the services of a conductor. In this work perpetual, conventionally written soli are passed between the players. When not playing soli, musicians are reacting loosely to the solo line with a series of gestures; the soloist becomes a conductor of sorts.

Tag and release: from recreational fishing, in the interests of research and conservation.

The work is continuous but divided into three sections.

soli 1-7: introductory (loose) palindrome
soli 8-14: suddenly noise-based…gradual re-emergence of pitch
soli 18-20: intensification

With thanks to the MCL, the Silo String Quartet, Barrie Webb and Jack Body.

• Chris Watson: tag (and release); computer set 

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• Watson: tag (and release); computer set 

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• Chris Watson: tag (and release); audio 

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• Hall: the night recalls flickering silence; facsimile 

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