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“…imaginary ride on a cloud from the Tararuas, over to Levin, across to Kapiti Island, over Kapiti and back to Wellington…”

• Schulz: Dolphin Overture of Land and Sea; facsimile  

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• Schulz: Dolphin Overture of Land and Sea; facsimile 

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This work was intended to feature something of New Zealand’s spirit and is a ‘deconstructed’ version of Now is the Hour.

• notes from a journey  Year: 2010 

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• Buchanan: Late Song; computer set 

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• Buchanan: Late Song; computer set 

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The march of the crocodiles refers to the ongoing silliness caused by bureaucratic systems and how we all play our part in them.

We play a little tune, (this might be in the form of a phone call or a letter, a question, a request) the receiver does a little dance, a message gets passed along, someone else plays a tune, the next person does a little dance etc….until eventually a little tune comes back for us to do a little dance to.

I am fascinated by the amount of paperwork, human resources and time that can be involved in even the smallest and simplest of enquiries, not to mention the tedium. This silly game is so dreary it’s almost amusing!

The piece is played tutti then the ensemble divides into three groups and uses material from the composition to improvise. Eventually the ensemble becomes a choir.

• Rosie Langabeer: March of the Crocodiles 

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• Zirkus! – Sirius Music 

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Twitter portrays the sounds of birds that I heard in Western Park, Freemans Bay while running my dog. In this heightened reality you can hear a plethora of birds, ranging from small chirpy sparrows and mynahs to large more sonorous pigeons and magpies. Often the exuberant character of my dog slips in as well while he chases after birds. Throughout the piece I have used chromatic melodies and added note chords to depict the diverse pitches made by birds and syncopated rhythms to reflect the erratic nature of bird song.

The first movement has a bouncy feel to it. There is a reoccurring motif played by the soprano saxophone that is present much of the way throughout the movement. The added note chords and syncopated rhythms give off a jazzy vibe towards the end. I imagine the birds to be having a good time despite being teased by my Yorkshire terrier.

I have titled second movement the birds at at dusk. The movement opens with birds twittering which is characterized by flutter tonguing and sustained notes. Out of this comes a languid melody played by the saxophone. As time progresses the melody is passed around the instruments and the supporting notes grow into chords. The movement ends as the birds roost.

An active and insistent character saturates the final movement. The birds are darting around in all directions fighting over crumbs left by school kids at lunchtime and my buoyant companion is never out of the action chasing after them as they take flight. The movement is dominated by florid runs by the entire ensemble and syncopated rhythms that provide an unsteady platform for the pandemonium.

Robin Toan

• Toan: Twitter; computer-set 

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• Toan: Twitter; computer-set 

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• Toan: Twitter; computer-set 

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• Toan: Twitter; computer-set 

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• Freed: Wellington Letter; facsimile 

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• Freed: Wellington Letter; facsimile 

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