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Gillian Whitehead  

Ahotu (O Matenga)

Duration: 10' 00" Year: 1984
for chamber ensemble

  • Instrumentation
    flute, trumpet, cello, percussion, 2 keyboard (2 pianos, celesta, harpsichord)
  • Programme Note

    Ahotu is the sixth in a series of instrumental pieces based on the phases of the moon, and refers to the seventh day of the cycle. The entire thirty-day cycle has been used as one of the rhythmic generators of the piece, with vowels and consonants translated into durations to provide the apparently irrational rhythms, which are contrasted in a series of short ensemble or solo sections with either proportional or regular rhythms. The two longest sections are centrally placed. The first, featuring trombone and percussion, presents the language-based material in the percussion; the second, starting with the long piano solo, begins a mensural canon based on the proportional material. However, half-way through this canon, recapitulatory material begins, and subsequent appearances of the canon occur in continually shorter blocks, each transformed very differently. O Matenga, in the title of the piece, refers to the Maori custom, found also in many other civilisations, of providing sustenance for the spirit to the next world after death.

  • Availability

David Farquhar  

Concerto for Six

Duration: 10' 00" Year: 1987
for flute, clarinet, violin, cello, vibraphone and piano

  • Programme Note

    The main theme of the first movement is built on a deliberately ‘square’ 4 note scale figure; this is interlaced with perfect 4th ‘wobbles’ and triplets and together they weave tonal games in a capricious journey.
    Four rich chords (all essentially triads with added semitones) which open out, bloom and close again are the flowers displayed in the tranquil second movement, and for the final a jaunty but restrained dance through various tonalities grows out of the subtle thematic combination of notes from both C and F sharp, normally the most distant keys.

    Notes taken from Ritual Auras, Atoll CD (ACD 842)

  • Availability

Gillian Whitehead  

Manutaki

Duration: 12' 00" Year: 1985
for chamber sextet

Stephan Schulz  

Transmigration - Reincarnation of a Nightmare

Duration: 14' 00" Year: 1989
a dance work using sextet and actors