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• Lardelli: Humoresque; computer set 

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• Four Works by Dylan Lardelli 

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The malleus (or hammer) is one of three bones that transmit vibrations from the eardrum to the internal ear in the process of transformation of external sound waves to an emotional or cognitive response within the listener. In Malleus, the trio is treated as a single ‘meta-instrument’, with each instrument playing a near identical line, though this unison is corrupted with independent tempi and tuning. Malleus was written in 2005 and is the second piece in a series of three trios collectively entitled Middle Ear. It won first prize in the 2005 Lilburn Prize concert at Auckland University.

• Holloway: Malleus; computer-set 

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• Holloway: Malleus; computer-set 

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• Samuel Holloway: Malleus; audio 

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My high school in New Zealand specialised in rugby and horticulture. I was interested in neither. Twenty years later, rush takes me back to my roots, crisp early mornings playing in the school clarinet choir, an aberration in a world that spoke the language of rugby and kiwifruit. Revisiting the school sportsfield, rush is named after the rugby technique of moving the ball forward with short kicks and runs.

Juliet Palmer

• Palmer: Rush; computer-set 

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• Palmer: Rush; computer-set 

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• Palmer: Rush; computer set 

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• Music by Juliet Palmer  Year: 1990 

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• Solaris Trio  Year: 2000 

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Transcendental Fragments, for wind trio, is a short piece based on musical fragments from the composer’s concerto for orchestra entitled Transcend which was premiered by the Auckland Philharmonia in 2003. These fragments have undergone much reworking from their original orchestral setting and are tossed around between the performers in fast and slow tempi.

• Rimmer: Transcendental Fragments; computer-set 

  Score and parts | Pdf - computer set
  
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• Rimmer: Transcendental Fragments; computer set 

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• Rimmer: Transcendental Fragments; computer set 

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