Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

Ashley Heenan  

A Maori Suite

Duration: 14' 00" Year: 1966
for soprano, mezzo, choir and orchestra

Bryony Jagger  

A Poet's Requiem

Duration: 1h 15' 00" Year: 1998
for 3 narrators, soprano, mezzo & contralto soloists, choir and orchestra

David Hamilton  

And Music Shall Untune the Sky

Duration: 10' 00" Year: 1987

Edwin Carr  

Auckland '71

Duration: 12' 00" Year: 1971
ode for male speaker, SATB chorus and orchestra

David Farquhar  

Bells in their Seasons

Duration: 25' 00" Year: 1974
for double choir and orchestra

Ray Twomey  

Far Calling (Opus 22)

Duration: 09' 00" Year: 1998
for choir and orchestra

Eve de Castro-Robinson  

Flourish

Duration: 04' 00" Year: 2001
for SATB choir and full orchestra

Anthony Ritchie  

From the Southern Marches

Duration: 2h 00' 00" Year: 1997
for choir, soprano, alto, tenor and bass soloists and orchestra

  • Programme Note

    From the Southern Marches was the brain-child of George Griffiths, historian and owner of Otago Heritage Books in Dunedin. He writes: ‘For many years I’d pondered the nature of the southern region and the people who live in it – particularly the contradictory characteristics passed on from our Scots forebears, with their unrelenting capacity for hard work and their uncertain trust in the rewards to be gained from it. In a broader view, it seemed the development of a southern character was a story so rich in human spirit and diversity that it demanded some kind of expression.’ The ‘kind of expression’ depended very much on George’s choice of texts which come from a wide variety of sources, ranging from old Maori chants to more recent poetry.

    The work progresses more or less in a chronological manner, but avoids becoming a potted history of the south. Each text from each particular era focuses on a special characteristic of the time – whether it is the reckless optimism of the gold miners in the 1860s, or the grim reality of the needle-workers in the 1880s who were virtual slaves. George has drawn on a rich variety of ideas and texts, so that more serious items are contrasted with humour, as in Thatcher’s The Old Identity or ‘King’ Dick Seddon’s political speech. Some items involve text with existent tunes, and the music becomes an arrangement (as is the case with The Old Identity). Sometimes these tunes are just a starting point for lengthy elaboration, as in Bright Fine Gold, based on the tune for Hot Cross Buns.

    From the Southern Marches has a format that is similar to oratorio, with alternations between solo vocal items and choruses, with the addition of two purely orchestral sections. There is even references to the ‘recitative’ style in The Jubilee, Southern Education and elsewhere. It runs to almost two hours in length, and is divided into two halves.

    Such was the success of the premiere in March 1998, From the Southern Marches was repeated in December of the same year, this time with Dobbs Franks conducting. In 1998, Otago Heritage Books won a Special Merit Award in the National Business Review’s Business Sponsorship of the Arts Awards .

  • Availability

Aaron Lloydd  

Fundamental obligations of lawyers

Duration: 04' 00" Year: 2012
for SATB choir and orchestra

Ashley Heenan  

God Defend New Zealand

Duration: 04' 00"
arranged for chorus and orchestra