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Gillian Whitehead  

Low Tide Aramoana

Duration: 23' 00" Year: 1982
for mezzo, SATB large choir and brass

  • Instrumentation
    3 trumpets 2 trombones, timpani
  • Programme Note

    Low Tide – Aramoana is a setting of a poem by Cilla McQueen, and is used with her kind permission. The piece, written for large choir and a small brass ensemble, is an evocation of an estuary at the turn of the tide. Although the poem itself describes Aramoana at the mouth of Otago harbour (significant at the time because of the threat of the aluminium smelter that, because of the strength of local protest, was in fact not built), for the composer it was the estuary where the Ruakaka river meets the sea south of Whangarei that was significant.

  • Availability

Kathryn Lauder  

Otherwise

Duration: 02' 00" Year: 2002
for SA choir and piano

Te Puoho Katene  

Pokarekare ana

Duration: 02' 00"
arranged for SSATB unaccompanied

Aroha Yates-Smith   Gillian Whitehead  

Taiohi taiao

Duration: 11' 00" Year: 2004
for SSAATBB choir with koauau

  • Instrumentation
    upper bass voice are baritones; taonga puoro includes koauau koiwi kuri
  • Programme Note

    Na Aroha Yates-Smith koropupu ake ana nga wai o te matapuna he wai matao he wai reka ki te korokoro he wai tohi i te punua waiora waimarama wairua te puna o te tangata te putanga mai o nga reanga hei poipoi I nga taonga tuku iho pukenga wananga manaaki tangata tiaki whenua tamaiti taiohi taiao.

    Bubbling upwards rise the waters from the spring cool, refreshing water fluid delighting the taste buds blessing the young water – life-giving, clear – the spirit. The springs of humankind producing generations who will nurture their inheritance learning from the storehouse of knowledge hospitality/generosity to all guardianship of the land Child Youth Universe. The waiata acknowledges the vital role natural springs have in providing clean, delicious drinking water, which nourishes humankind and the wider environment. The water is also used in traditional and contemporary forms of blessing our young. The line “waiora waimarama wairua” refers to the life-giving force of the water, its clarity and purity, and the spiritual essence which pervades it and every life force. The second verse focuses on the importance of generation after generation preserving all that is important: “Te puna o te tangata” refers to the fountain of humankind, that is, the womb which produces the future progeny of our people. From woman is born humankind: generations of people who continue to nurture and maintain those treasures passed down through eons of time: knowledge and wisdom, the importance of caring for others and looking after the environment. The final line, “tamaiti taiohi taiao”, creates a link between the (tiny) infant, youth and the wider environment, and ultimately the Universe.

  • Availability

Helen Fisher  

Te Puna Waiora (Spring of Living Water)

Duration: 04' 00" Year: 2000
for soprano or tenor, SATB choir, piano, violin and congregation

  • Instrumentation
    melody line for congregation
  • Programme Note

    This is a liturgical work for Congregation, Choir, Tenor or Soprano, Violin and Piano, which was originally composed for the Asperges Rite in the 150th Jubilee Mass of the Wellington Archdiocese, 30 April 2000. It is inspired by the story of Christ and the Samaritan woman. The text in Maori and English is from the Gospel of John, Chapter 4 Verse 14: " The water that I shall give will turn into a spring inside you, welling up to eternal life." ‘Te Puna Waiora’ is dedicated to Fr John Greally, Advisor for Pastoral Liturgy and Spirituality in the Wellington Archdiocese. Subsequently, the choral part has been incorporated into the Mass, ‘Te Miha Tuituia’ published in ‘Music for a New Millennium’ by the Auckland Liturgy Centre. Also, the chorale theme is in the final section of the harp solo piece ’ Otari’ (2004).

  • Availability

Leonie Holmes  

The Estuary

Duration: 05' 00" Year: 1993
for women's voices (SSA) and piano

David Hamilton  

The Sea Child

 Year: 1994
for SATB choir with flute and piano accompaniment

Kit Powell  

Tide Pools

Duration: 08' 00" Year: 1990, r. 2011
for SATB choir, piano, small percussion (claves, maraca, small gong, tambourine)

  • Programme Note

    5 short pieces with a NZ flavour. The speaker plays the role of a rather serious teacher who does not see the funny side of what he is saying. In the rather wild movement “Mussels” he changes role to shout the Maori text like a “Karakia”.

  • Availability