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Craig Utting  

Apocalypse

Duration: 15' 00" Year: 1985
for bass singer and chamber ensemble

Kit Powell  

Chinese Songs

Duration: 16' 00" Year: 1988
for high soprano and tape

  • Programme Note

    First performed in a concert of the Swiss Computer Music Center with soloist Franziska Staeheli. Later performances in Bern (with a short lecture about it by me) and in Schaffhausen. Bruno Spoerri also played the tape abroad, in a demonstration of our work here.

    Preparation for the work involved analysis of several Chinese instruments; Ch’in (a zither), gong and wood block. The wave analysis was done with a computer program and my imitations were realized on the Computer Music Center’s DMX. There are two sets of texts: from the Tao Te Ching (Lao Tse) and from the I Ching. The Lao Tse texts were chosen by me and set with traditional notation. The I Ching texts were chosen by chance (with the computer) and set with a computer generated graphic notation. Proportions within the piece were also made with a computer program using chance and units of Golden Section. (More details in the introduction to the score).

    This piece could be performed with two singers: one singing the Tao texts, the other singing the I Ching texts.

  • Availability

Lyell Cresswell  

Eight Shaker Songs

Duration: 15' 00" Year: 1985
song cycle for soprano and piano

Dorothy Buchanan  

Five Songs from No Ordinary Sun

Duration: 15' 00" Year: 1984
for mezzo-soprano, flute and piano

Dorothy Buchanan  

Mary Magdalene and the Birds

Duration: 15' 00" Year: 1989
a song cycle for mezzo and clarinet

Gillian Whitehead  

Pao

Duration: 16' 00" Year: 1981
for mezzo-soprano, piano and clarinet

  • Programme Note

    ‘Pao’ is the name given by Maori to two-lined epigrammatic songs which comment on a wide range of subjects such as love, war, politics or religion; often topical, often improvised. Most of the songs set here were collected in 1864 from Maori prisoners captured during the the land wars in the Waikato area south of Auckland. The couplets are not connected in any way except for the central group, for unaccompanied voice, concerning Pikeri, a character famous at the time for his escapades evading the police; in this instance, enforced separation during a love affair is charted.

    The English translations of these pao are used with the kind permission of the late Margaret Orbell, and come from her Maori Poetry, an introductory anthology (Heinemann, 1978).

    Pao was commissioned by the Northumberland-based Syrinx Trio, with financial assistance from Northern Arts; the first performance was given by Syrinx in Newcastle in 1981.

  • Availability

John Charles  

The Turning Wheel

Duration: 15' 00" Year: 1986
a song cycle for voice and piano

Gillian Whitehead  

These Isles your Dream

Duration: 16' 00" Year: 1983
for mezzo, viola and piano

Brigid Ursula Bisley  

This Land of Water

Duration: 15' 00" Year: 1988, r. 1989
a song cycle for soprano and piano