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• de Castro-Robinson: Commemoration; facsimile 

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• Buchanan: Go Lovely Rose; facsimile 

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• Buchanan: Go Lovely Rose; facsimile 

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• Harris: ...inside the rainbow air...; computer-set 

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• Buchanan: Reo Karanga for mezzo soprano; facsimile 

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• Buchanan: Reo Karanga for mezzo soprano; facsimile 

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This setting was written for Christchurch treble Ashley White in 1980. Thomas Nash’s words evoke the joy and carefree spirit of Spring, the season of renewed hope. With his ’cuckoo’s, jug-jugs’ and other onomatopoeic sounds abounding throughout, it seemed a lovely vehicle for a gifted treble’s special quality

• Buchanan: Spring; facsimile 

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• Buchanan: Spring; facsimile 

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• Dickson: A Collection of Five Soprano Songs; computer-set 

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• Dickson: A Collection of Five Soprano Songs; computer-set 

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• Dickson: Soprano Songs 

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• Buchanan: The Ancient of Days; facsimile 

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• Buchanan: The Ancient of Days; facsimile 

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• Dellow: The shepherd; facsimile 

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• Dellow: The shepherd; facsimile 

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• Eric Biddington: Mad Music 

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• Eric Biddington - Three Japanese Lyrics 

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This song was inspired by a Bob Orr poem, published in the Dominion Post as the Wednesday poem. The soprano soloist sings of how the Tide Tables express the extraordinary love affair between the moon and the ocean. The piano accompaniment is reminiscent of the sea’s swelling. Through composed. 6/8 time, dotted crotchet = 80. Long lyrical lines for the soprano sweep over a tidal accompaniment in arpeggios. D minor to Db major harmonies oscillate at the beginning. The piece ends in F major.

• Russell: Tide Tables; computer set 

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• Russell: Tide Tables; computer set 

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