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• Harsono: Death, the hell (Chaos); computer-set 

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• William Harsono: Gelora and Death, the Hell 

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Genesis was composed in 1992 during a period of study with Professor Stanley Glasser, Head of Music Department, Goldsmith College, London University. The work is scored for double winds, single brass, strings, 2 percussionists, and images of the sunrise on the composer’s favourite New Zealand Beach. Webster’s Dictionary defines genesis as “the beginning, the origin.” As sunrise occurs at the beginning of the day, Genesis seemed an appropriate title for this work.

• Hulford: Genesis; computer-set 

  Full score | Pdf - computer set
  

• Hulford: Genesis; computer-set 

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• Pruden: Harbour Nocturne; facsimile 

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• Larry Pruden Collected Edition Volume 6A - Works for Orchestra (I)  Year: 2011 

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• Carr and Pruden: various works 

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• The Alex Lindsay Orchestra: Ring Round the Moon 

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• Ring Round the Moon  Year: 1963 

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• New Zealand Composers  Year: 1995 

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• Celebrate Wellington Concert  Year: 2005 

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• Vector Wellington Orchestra: Celebrate Wellington  Year: 2005 

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Commissioned by Musicians Against Nuclear Arms, for the 1995 Greenpeace concert held in Wellington, New Zealand, to protest against French testing and raise funds for the Rainbow Warrior II.

A threnody to all life in the Pacific region that has fallen victim to radiation leaks from French nuclear testing on Polynesian atolls over the last four decades. Nuclear contamination of the area occurred in several instances in the form of fallout and contaminated rain upon unsuspecting inhabitants, who are dependent on the rain for their water supply.

Gareth Farr

• Farr: Le Temps Est A La Pluie; facsimile 

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• Gareth Farr: Orchestral Music  Year: 1997 

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• Gareth Farr: From the Depths Sound the Great Sea Gongs  Year: 2009 

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• Hall: lithe sinews of water; computer set 

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• Hall: lithe sinews of water; computer set 

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• Dylan Lardelli: Pan Awakes - downloadable PDF 

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• Dylan Lardelli: Pan Awakes - hardcopy score 

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This short sequence of dances originally formed a little interlude in the middle of the second act of my opera, A Unicorn for Christmas. This act takes place in Tudor England, so the music has an appropriate period flavour, though with no pretensions to authenticity. The three names play dances play without breaks.

• Farquhar: Three Tudor Dances; computer-set 

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• Farquhar: Three Tudor Dances; computer set 

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• David Farquhar: Three Tudor Dances; audio 

  Media on Demand | Embedded