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• Palmer: Five Cactus Dreams; facsimile 

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• Utting: A Celebration; facsimile 

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On request from Matthew and Anna Leese, Ritchie arranged his A Poem Just for Me as duet for soprano and baritone. The words by English poet Roger McGough describe an identity crisis brought on by the process of growing up, and the setting is simple and touching.

• New Zealand Poets in Song - Anna and Matthew Leese sing songs by Anthony Ritchie  Year: 2008 

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• de Castro-Robinson: A Resonance of Emerald; facsimile 

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• de Castro-Robinson: A Resonance of Emerald; facsimile 

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• de Castro Robinson: Works 1 

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• Caskie: A Sweet Season But Short; facsimile 

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A Sympathy With Sounds was composed in 1988 to celebrate the centenary of a certain choral society, to the specifications of the conductor. When the work was completed, both the composition of the choir and the conductor had changed and it was never performed by that society. The work is suitable for an SATB choir of moderate strength and ability, provided there are sufficient singers to cope with the ocasional divisions.

“A Sympathy with Sounds… and some lovely sounds there are too!” – Brian Kay

• Wegener: A Symphony With Sounds; computer-set  Year: 1994 

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• Margaret Wegener: A Sympathy With Sounds  Year: 2004 

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The music of ‘A West Irish Ballad’ follows the course of an anonymous Irish poem, and is influenced by Irish traditional music. Much of the musical imagery comes from the poetry, from the snipe and the ‘lonely bird in the woods’, to the developing ostinato reminiscent of church bells, and to the broader feeling of the landscape as I imagine it, and the deep emotion of Irish laments and love songs. ‘A West Irish Ballad’ was written for the Sydney Chamber Choir.

• Maclean: A West Irish Ballad; facsimile 

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• Maclean: A West Irish Ballad; facsimile 

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• Clare Maclean: A West Irish Ballad 

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• Clare Maclean: Complete Choral Music 

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Originally called A Song of Tamatea, this work was revised in 2000 to become An Offering for Parihaka.

• Hamilton: A Song of Tamatea; facsimile 

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• Hamilton: An Offering for Parihaka; computer set 

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• Hamilton: An Offering for Parihaka; computer set 

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• David Hamilton: A Song of Tamatea 

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• Parihaka 

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Aotearoa was written with words by Tolla Williment, a New Zealander with Wesleyan missionary ancestors in Northland in the 1820s. She has had a biography published, as well as short stories, poems and books for children.

Aotearoa was performed by the Laings Road Methodist Choir at the service commemorating the 75th anniversary of the building of the latest church in Laings Road, in March 2002.

• Carey, A.: Aotearoa; facsimile 

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This work uses, as its sound source, an array of human voices, all of which are deceased political and/or historical figures. It is not intended to be entirely comprehensible at a first hearing as I wished to convey, in part, our cultural over-stimulation in comparison to say, 100 years ago. Musically, it is shaped as a canon, and (taking my inspiration from a comment by Dylan Thomas to the effect that what originally attracted him to language was not its meaning but its sound) I have assembled increasingly fragmented parts of speeches into a confusing labyrinth which will hopefully stimulate harsh emotion. How’s that for a run-on sentence!

Between the Lines was realized at the Electronic Music Studios at the University of Toronto, and re-mastered in Studio A of the Experimental Music Studios, University of Illinois, Urbana, United States.

• Stolen Music - New Compositions by Matthew Davidson  

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• Stolen Music - Chamber and Electronic Music by Matthew Davidson  Year: 1996 

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