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• Larry Pruden: Collected Edition Volume 7 - works for orchestra (III) 

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• Pruden: 1218; facsimile 

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• Buchanan: A Garland of Haiku; computer set 

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• Jagger: A Mother's Carol; facsimile 

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This work for brass quintet and narrator was written for the NZ Brass Quintet to perform in schools.

• Freed: A Nursery Tale; facsimile 

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• Freed: A Nursery Tale; facsimile 

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• Freed: The Circle and A Nursery Tale 

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• Jones: A Prayer of St Francis; facsimile 

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This music was originally commissioned by Richard Campion for the New Zealand Players’ production of Ring Round the Moon by Jean Ahhouil, translated by Christopher Fry. In the second act there is a ball taking place offstage and demanding a large number of dances which are specified in the text.

The music was first recorded on acetate discs by a ad hoc orchestra led by Alex Lindsay; these small recordings were then played through speakers for the production, sounding very loud to the cast but filtering out more gently to the audience. At the end of the long national tour, the cast knew the music very well and suggested to me that I should do something with it.

The result, some years later, 1957, was a suite of nine dances first performed by the Alex Lindsay Orchestra. This rapidly became my most performed piece and was commercially recorded by the Alex Lindsay Orchestra in the 1960s, a recording still available today from Kiwi Pacific Reords.

Ashley Heenen, through the NZ APRA Committee, commissioned an arrangement for full orchestra for the NZ Youth Orchestra to take on a tour of Europe and China in 1975. This version was shortened to six dances by leaving out the first three numbers. The music has also been used for a ballet, The Wintergarden, choreographed by Arthur Turnbull for the Royal New Zealand Ballet Company – this version included a tenth dance not in the 1957 Suite. Since 1975 two further version have been commissioned: Waltz Suite (1989), for string orchestra (five dances) for the Nova Strings, and an arrangement of the original Dance Suite (1992) for violin and piano (nine dances) for Isador Saslav.

• Farquhar: Short Suite from Ring Round the Moon; computer-set 

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• Farquhar: A Short Suite from Ring Round the Moon; computer-set 

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• Farquhar: Short Suite from Ring Round the Moon; computer set 

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• SOUNZ Orchestral 1993 

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• New Zealand Composers  Year: 1995 

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• Rimmer: A Song of Humility; facsimile 

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• Cecilian Singers: Alleluia  Year: 2003 

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• Jagger: A Tear Wiped Away; facsimile 

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A Viola on Skye was inspired by a trip to Scotland that included a stay on the Isle of Skye in the depths of winter. The initial sketches for the work were made at the time, influenced by the bleak, barren but richly hued landscape. This is personified by the characteristic timbre of the instrument and accounts for the particular sweep and colour of the music.

The work falls naturally into two parts and can be described as a transition from complexity to simplicity. The first is characterized by a great variety of activity – agitated configurations, short melodic phrases, alternations of sul pont, pizzicato, arco, tremolo and so on. The structure is loosely based on a twelve note series and features a series of twelve groups. These are short sections of music, each emphasising one of the notes of the series. There are only four types of groups used so the first part of the work can be heard as three related variations. The second part of the work uses the series material melodically. It opens with these notes presented in the order and registers established in the preceding part. Ultimately this develops into an extended melodic line with the close of the work attaining the ultimate in simplicity – a repeated note.

• Blake: A Viola on Skye; facsimile 

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• NZBC Schola Musica 

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• NZ Flora Series Volume 3  Year: 1972 

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