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Jenny McLeod  

18 Easy Pieces

Duration: 17' 00" Year: 1996
easy pieces for 1-4 players (or more)

Dorothy Buchanan  

A Matter of Timing

Duration: 08' 00" Year: 1996
for SATB choir with string quartet, female narrator and mezzo-soprano

Susan Frykberg  

Astonishing sense of being taken over by something far greater than me

 Year: 1996
for violin(s) and tape

Michael Norris  

Chrysalis

Duration: 10' 00" Year: 1996
for flute and tape

John Lewis  

Concerto

 Year: 1996
for cornet or trumpet in B flat and piano

Lyell Cresswell  

Concerto for Orchestra and String Quartet

Duration: 25' 00" Year: 1996
for orchestra and string quartet

Anthony Ritchie  

Concerto for Soprano Saxophone and Orchestra

Duration: 17' 00" Year: 1996
soprano saxophone and orchestra

Tony Ryan  

Concerto for tuba and orchestra

Duration: 20' 00" Year: 1996

Annea Lockwood  

Ear-Walking Woman

Duration: 22' 00" Year: 1996
for prepared piano with amplification

  • Programme Note

    For prepared piano and exploring pianist, uses the classic piano piano preparations: coins (to detune the strings), screws, wiring insulation sheathing, plus bubble wrap, a rubber ball and small wooden balls, two round stones, a bowl gong, mallets and a water glass. The piece was commissioned by Lois Svard, to whom it is dedicated and who has given many superb performances of it.

    When I started experimenting with these objects on my own piano, I found that even slight changes in the method of producing a sound evoked striking variants in sonic details, for example: rocking a stone gently between two sets of strings brins out several pitches and their overtones, iterating in unpredictable rhythms. Getting the stone to rock really hard adds higher pitches and at times the stone will turn over, setting of a new set of strings and pitches, which gradually fade away as the stone comes to rest.

    The work is set up as an open-ended exploration, in which have determined which ‘tools’ are to be used in each section, and the pianist is asked to listen closely to the sounds created by each action, and to explore further the variants which arise when she or he uses a little more pressure and change of speed, a slightly different wrist position, a different make of piano. I think of this experience as “ear-walking”, like a hiker exploring a landscape.

    Annea Lockwood

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Jason Kaminski  

Eclogue

Duration: 09' 00" Year: 1996
chamber opera