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Robert Burch  

Capriccio for Four Saxophones

Duration: 06' 00" Year: 1966
for saxophone quartet

John Rimmer  

Composition 1

Duration: 05' 00" Year: 1968
for horn and electronic sounds

Anthony Watson  

Concert Piece

Duration: 07' 00" Year: 1965
for violin and piano

Dorothy Freed  

Diversion for Ten Brass Instruments

Duration: 08' 00" Year: 1967
for concert brass

Ronald Tremain  

Five Epigrams for Twelve Solo Strings

Duration: 06' 00" Year: 1967
for string ensemble of any size

David Farquhar  

Five Shakespeare Songs

Duration: 08' 00" Year: 1965
for SSA choir

Edwin Carr  

Four Pieces

Duration: 06' 00" Year: 1965
for oboe d'amore and piano

Jack Body  

Four Stabiles

Duration: 06' 00" Year: 1968
for piano

  • Programme Note

    Four Stabiles was composed when I was newly graduated from university, after I had decided that I liked the idea of becoming a composer. Margaret Nielsen graciously gave it an early airing and the score was promptly published by Waiteata Press Music, giving me a tremendous boost of self-confidence.

    The 60s were a time when musical abstraction was the vogue, when a mathematical structure justified the music. Thus the inverted palindromic form of Stabile I based on its two versions of the all-interval symmetrically invertible 12-tone chord was a source of considerable composerly satisfaction! All but one of the dedicatees, personal friends, have long since either drifted or passed away. The one remaining contact, William Dart, is characterised in Stabile III, a tender portrait of someone who was then living a curiously isolated existence. Tony (Stabile 1) I admired for his good looks and spiritual curiosity, while winsome Robert (Stabile 2) was the object of one of my compulsive crushes. Gaye (Stabile 4) was a passionately energetic fellow student at Teacher’s College, who, sadly, took her own life a few years later.

    These pieces use fixed register, that is, each note (C, C#, etc) is heard at only one register, creating a static vertical relationship between the pitches. Variety is achieved by viewing the ‘sound object’ from different perspectives, just as a viewer explores a static sculptural structure (a stabile) by walking around it. Movements one and three permit two possible registers for each note by using two chords, one the inversion of the other. Another feature of the first movement is that it is palindromic. The gentle sounds of the Stabile 2 suggest a star-lit night, Stabile 4 strives for rhythmic momentum to counter the essentially static compositional technique, while an informed listener will easily recognise the debt that Stabile 3 owes to the first of Douglas Lilburn’s Nine Short Pieces.

  • Availability

John Ritchie  

Partita

Duration: 08' 00" Year: 1967
for brass quintet

David Farquhar  

Prayer before Birth

Duration: 05' 00" Year: 1969
for narrator, SSA and organ