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David Hamilton  

A New Zealand Doxology

Duration: 08' 00" Year: 1991
for solo soprano, SATB choir and organ

  • Programme Note

    This work is a setting of a text by Rev. Len Horwood (d.1990), minister of Mt Albert Methodist Church (Auckland) in the 1960’s, and was written at the request of Mervyn Rosser – choirmaster of Mt Albert Methodist Church. This particular hymn of praise to God draws its inspiration from aspects of the New Zealand landscape – especially the plants and trees. References are made to the kauri, the rata, and the kowhai, as well as the lakes, mountains and valleys.

  • Availability

Geoffrey Hinds  

After Midnight

Duration: 05' 00" Year: 1997, r. 1998
for SATB choir and organ

Andrew Perkins  

Ave Verum Corpus - Fantasia

Duration: 07' 00" Year: 1994
for pipe organ

David Hamilton  

Dance-Song to the Creator

Duration: 06' 00" Year: 1992
for SSA & SATB semi-choruses, SAATB choir, percussion and piano duet

Andrew Perkins  

Dies Sanctificatus

Duration: 05' 00" Year: 1994
for SATB Choir with brass quartet

Anthony Ritchie  

Down in the Brunner Mine

Duration: 09' 00" Year: 1995
for brass band

  • Instrumentation
    E flat sop crnt, 4 solo B flat crnts, repiano crnt in B flat, 2nd & 3rd B flat crnts, B flat flugel hn, solo E flat hn, 1st & 2nd E flat hns, 1st & 2nd B flat baritones, Euphonium in B flat (2), 1st & 2nd B flat trbn, bass trbn, E flat Bass (2), B flat Bass (2), 3 perc, timp, bass drm, side drm, tenor drm, tamtam, clash cymb, susp cymb.
  • Programme Note

    Down in the Brunner Mine was commissioned by The Onslow Brass Band in Wellington and first performed and broadcast in 1996. It is a short set of variations based on a New Zealand folk song called ‘Down in the Brunner Mine’. The folk song describes the coal mine on the West Coast, near Greymouth, and tells of the disaster that occured there in the 1890s when about 60 men were killed in a mine collapse. Here is the first stanza: We worked in the heat and the thick black dust, Sticks to your skin like a burnt pie crust, We rue each day the miner must Go down in the Brunner Mine. The folksong tune is announced by the cornets at the beginning, playing in their low register, accompanied by heavy chords in the low brass. Variation 1 features a horn solo, and the cornets return for Variation 2, playing in fourths. Variations 3 and 4 are strident in character and feature short flourishes. The snare drum enters at the start of Variation 5 and the cornets play a punchy idea using repeated notes. This idea returns in contrapuntal form in Variation 7, while the 6th variation inbetween features little fragments of the theme on various instruments. Variation 8 is powerful and buffeting, and uses the theme in canon. Variations 9-11 make use of the theme’s arpeggio outline and the music builds to a climax. Following this, the music gradually winds down in Variation 12, with the theme appearing in inversion against a repeated bass pattern. After a reflective silence, the short chorale-like coda rounds off the work, and is marked “in memoriam”.

  • Availability

Helen Caskie  

Five Polish Christmas Carols

Duration: 09' 00" Year: 1998
for SATB choir and two horns in F

David Hamilton  

Four Carols

Duration: 08' 00" Year: 1991
for a cappella SATB choir

  • Programme Note

    While overseas in 1989 I came upon the book by Erik Routley A Panorama of Christian Hymnody – a sourcebook of hymns and other sacred texts. These four carols draw their texts from that book: the first two by Christina Rossetti (1830-1894), the third by Eustace Condor (1820-1892), and the fourth by James Lowell (1819-1891). The fact that the poets are contemporaries is quite coincidental – these are texts which appealed and which appear to form a satisfactory cycle (although individual pieces may be performed separately).

    Love Came Down at Christmas is a popular and widely set Christmas text, and originally appeared in Time Flies: A Reading Diary, while The Shepherds had an Angel comes from Rossetti’s Poetical Works. Both texts were originally intended as hymns for children. The Childhood of Christ was also a children’s hymn and is drawn from the Congregational Church Hymnal of 1867, whereas the Epiphany Carol appeared in the 1865 publication Songs of the Sanctuary.

    Over a number of years I have written short Christmas pieces for groups directed by John Rosser – the Summer Singers, Quintessence, the Star Quartet and his fine chamber choir Viva Voce. These four pieces are dedicated to John and Kathryn Rosser as an appreciation for their interest in my music and willingness to perform (and record) it.

  • Availability

Ronald Dellow  

Four Christmas Songs

Duration: 08' 00" Year: 1995
for mixed voices

Cheryl Camm  

Hodie Christus Natus Est

Duration: 05' 00" Year: 1994
Christmas anthem for SSAA choir and SSAA semi-chorus