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• Palmer: Five Cactus Dreams; facsimile 

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• Moon: A Crown of Windflowers; facsimile 

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• Farquhar: ABC; facsimile 

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• Farquhar: ABC; facsimile 

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This work for solo flute and tape uses various modern playing techniques. Form inspired by a picture by Kokoschka.

• Powell: Floetenspieler und Fledermaeuse; facsimile 

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• Powell: Flötenspieler und Fledermäuse; facsimile 

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• Powell: Flötenspieler und Fledermäuse; electroacoustic part 

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• Powell: Prepared Tape  Year: 1994 

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• Buchanan: Flute Song for the Birds; computer set 

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• Buchanan: Flute Song for the Birds; facsimile 

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• Little Dancings - a selection of flute music by New Zealand composers  Year: 1998 

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• Taurangi - New Zealand Music for flute and piano  Year: 2004 

  CD
  
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Olveston Suite was composed in 1988 while Anthony Ritchie was Mozart Fellow at the University of Otago. The manager of Olveston House in Dunedin, Mr Dennis Moore, asked Anthony to play a programme of music in Olveston, on the 1904 grand piano. In response to a joking suggestion for a piece about the house, Anthony set about composing the Olveston Suite in quick time.

The pieces reflect qualities of the house; ‘Great Hall’ is expansive and majestic, ‘Kitchen and Scullery’ is busy and bubbling, while ‘Dining room’ suggests an old English style. The fourth piece, ‘Writing Room, Edwardian Bedroom’ is dedicated to Dorothy Theomin, the daughter of the original owners of Olveston and the last member of the family to live in the house. ‘Billiard Room, Persian Room’ is fast and jovial with an exotic middle section. The Suite is rounded off by a repetition of ‘Great Hall’, as the listener exits Olveston.

• Ritchie A.: Olveston Suite; computer-set 

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• John and Anthony Ritchie: Caricatures; computer-set  Year: 2003 

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• Expressions - piano music by Anthony Ritchie  Year: 2010 

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Inspired by sparkling waters of Tasman Bay Nelson, this choral work (SSAATB) was originally composed with flute accompaniment, which has been substituted in performances by the Shakuhachi (traditional Japanese flute) and also the Koauau (traditional Maori flute). There are recordings of Pounamu with each of these flutes. The piece’s choral texture uses Maori vowel sounds and a text which is a whakatauki (proverb) from the Waikato region.

• Tower New Zealand Voices: Spirit of the Land  Year: 2006 

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This work is also called, Shaky Island under Pressure.

• Shulz: Pressure; facsimile 

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• Schulz: Pressure; facsimile 

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• Keam: Songs of Summer Gone; facsimile 

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• Glenda Keam: Songs of Summer Gone 

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Te Tangi A Te Matui (The Call of the Matui), a work for solo flute, traces a delicate web between instrument and voice. This work is based on a Maori karakia , which the flautist sings and then blends with the sound of her instrument. The ornate flute style is inspired by that of the small Maori flute, the koauau. Te Tangi A Te Matui is dedicated to the memory of the composer’s mother, Freda McKee.

• Fisher: Te Tangi and Wings of the Wind; computer set 

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• Helen Fisher: Various Works 

  Cassette
  
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• SOUNZfine Volume 3 

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• Helen Fisher: Matairangi  Year: 1998 

  CD
  
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• Sound Barrier  Year: 2006 

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