Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

David Farquhar  

A Christmas with Carols

Duration: 31' 00" Year: 1994, r. 1996
for SATB choir and narrator and orchestra

  • Instrumentation
    1100;0000; perc: tubular bells; strings. Narrator may be a separate speaker or from the choir. Bells may be able to be played by choir member as required only in final movement.
  • Programme Note

    This celebratory work for choir and orchestra consisting of three Christmas ‘scenes’ brings together arrangements of 15th, 16th and 17th century carols with some of the well-known traditional carols. The audience can be invited to join in with a carols in each section including O Little Town of Bethlehem, The First Nowell and O Come All Ye Faithful.

  • Availability

David Farquhar  

A Christmas with Carols

Duration: 31' 00" Year: 1994
for SATB choir and narrator with organ

Bryony Jagger  

A Poet's Requiem

Duration: 1h 15' 00" Year: 1998
for 3 narrators, soprano, mezzo & contralto soloists, choir and orchestra

John Drummond  

Bridge to Somewhere

Duration: 40' 00" Year: 1996
comic opera in one act

Dorothy Buchanan  

Film Music

Duration: 1h 40' 00" Year: 1993
adaptation for clarinet, cello, and piano of music for silent film

  • Programme Note

    This music for eleven silent films,including Treasures / Nga Taonga, for clarinet, cello, and piano, would be most suitable for chamber music groups, including secondary school performers.

  • Availability

Philip Norman  

Footrot Flats

Duration: 2h 00' 00" Year: 1983, r. 1984
a musical based on the cartoon of the same name

Christopher Prosser  

Four Meditations

Duration: 43' 33" Year: 1991
scordatura violin and Indian tanpura

Jack Body  

Invocation

Duration: 30' 00" Year: 1998
for SATB choirs; Cook Island choir, bells, shofar, organ, tape and orchestra

Ross Carey  

Kocho

Duration: 1h 15' 00" Year: 1991
chamber opera in two acts

  • Instrumentation
    soprano, tenor, choir (3 sopranos), flute, oboe/cor anglais, clarinet, bassoon, horn, strings, piano solo
  • Programme Note

    Based on the Noh drama Kocho (“Butterfly”), this chamber opera was written as part of my composition folio for my Honours year of study at Victoria University of Wellington. Although at this particular time I had never heard or seen a Noh drama, I was captivated by this text which I had found in the university library, and decided to make my own setting. This particular drama belongs to the genre of “Spirit Pieces” where the chief motivation is the desire for Nirvana promised by Buddha. In Kocho, the spirit of the butterfly is denied the bliss of Nirvana for a specific reason – her desire for the companionship of the plum blossom that blooms before her time. She tells her story to a travelling monk, asking him to pray for her. In the second act, the butterfly dances joyfully amongst the plum blossoms, her wish fulfilled at last.

    The musical language I have used is a mixture of freely written tonal passages with strong doses of modal (often rather Asian sounding, although not based on any particular system) and minor harmonies, as well as minimalist elements. The choir sings mainly in unison, and in contrast to a traditional Noh choir is made up entirely of women’s voices. On occasion the pianist takes on a more soloistic role, as does the leader of the orchestra. Presented in an unstaged performance at Victoria University of Wellington, in November 1991.

  • Availability

Anthony Ritchie  

Line Dances

Duration: 30' 00" Year: 2010
music for a dance film by Daniel Belton

  • Instrumentation
    piano
  • Programme Note

    This music was commissioned by Daniel Belton and Good Company for his dance film, entitled Line Dances. It was written for performances in the Otago Festival of Arts, October 2010. The recording and first performances were played by the composer, in collaboration with Daniel Belton. The premiere took place in the Metro Cinema, Dunedin. The music is for 6 short films, each informed by an art work by Paul Klee. The music to these dances is intended to be performed as concert music, or prior to a screening of the films. The films themselves contain elements of the music, crafted into a soundscape by Belton. See www.goodcompanyarts.com.

  • Availability