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Juliet Palmer  

Flotsam and Jetsam

Duration: 50' 00" Year: 1999
an interdisciplinary performance for mezzo soprano, piano, and dancer

Susan Frykberg  

Machinewoman

Duration: 45' 00" Year: 1984
electronic music theatre

Annea Lockwood  

The Glass Concert

Duration: 1h 00' 00" Year: 1966
for glass and amplification

  • Programme Note

    Glass Concert takes the form of a live performance with amplified glass, lighting and has been the cause of some controversy:

    “One of the most serene and illuminating records of the avant garde, equipped with nothing more than glass objects and imagination.” Fordham, Time Out. London

    “But where’s the music?” Barka, Liverpool Daily Post

    This work is also known as The Glass World and was recorded under that title in 1970.

  • Availability

Annea Lockwood  

Thousand Year Dreaming

Duration: 45' 00" Year: 1990
for chamber ensemble and slides

  • Instrumentation
    oboe, cor anglais, clarinet, contrabass clarinet, 4 didjeridus, 2 tenor trombones, 2 conch shells, percussion
  • Programme Note

    This work is scored for 10 piece ensemble of winds, brass, percussion and slides from the Lascaux Caves.

    “It opened with an arresting effect I’d never heard before: Art Baron and Scott Robinson blowing through conch shells, played a series of converging glissandi in opposition directions, creating wild beat patterns…Even had you closed your eyes, it was like the piece suddenly emerged from its lair and took over the atmosphere”. Gann, Village Voice, New York

  • Availability

Susan Frykberg  

Woman and House

Duration: 55' 00" Year: 1989, r. 1990
electroacoustic music theatre

  • Instrumentation
    singer, two actors, signal processed voice, live mixed tapes and diffusion. Characters include a singing/talking house, an obsessive compulsive housewife, a Sumerian priestess, home appliances that have their own songs, the 'Great Mother' and a bag lady.
  • Availability