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violin, cello and piano

• Cowdell: A Portrait of Christina Rossetti; facsimile 

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voice and piano

Away with the Fairies is a string of kitsch songs about fairies and pixies, animals and children. They are linked by recitatives which, like the songs, include quotations from other composers’ music.

• William Dart: Song Book; computer-set 

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soprano, mezzo soprano, tenor, baritone and mezzo soloists with timpani, percussion, recorders

Based on the Noh play Uto by Zeami. Theatre Cantata through-composed. The text falls into two parts with an interlude between them.

• Jagger: Birds of Enlightenment; facsimile 

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• Jagger: First Love; facsimile 

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for 3 sopranos, 3 altos, male speaker, alto fl, piccolo ,E-flat clarinet ,B-flat clarinet , bass-clarinet, horn, percussion (xylophone, timpani, 5 temple blocks, tambourine, 15 maracas, windchime, clicker,marimba, cymbals, balloons, pingpong balls) hp,pf. Extras: 13 balloons (with pins); brick (for piano pedal); 100 plus table tennis balls

This work for mixed ensemble and female voices drew its inspiration from a series of paintings by Ken Robinson which were hung up behind the performers. “Drawing on Spanish texts from Pablo Neruda and St John of the Cross, Eve de Castro-Robinson has produced some wonderfully exotic music. Timbres are perfectly judged, from the vibrant exoticism of alto flute in Edged to the mysterious ceremony of horn and timpani in Black Drop and solo lines have a tremendous sense of tautness and cohesion.” William Dart, Music in NZ

• de Castro-Robinson: Five Responses; facsimile 

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• de Castro-Robinson: Five Responses; facsimile 

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• Eve de Castro Robinson: Works 3 

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32(1)2(1)2;4330;timp,perc,hp;strs

• Baxter and Heenan: Jack Winter's Dream  Year: 1978 

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• Baxter and Heenan: Jack Winter's Dream  Year: 1978 

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• War and Peace and Jack Winter's Dream - Incidental Music by Ashley Heenan  Year: 1987 

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Piece of 4 was composed in Europe in September/October 1980 for the Bourges Experimental Music Festival in June, 1982. It combines my thoughts on music from found objects and on chance music, while also exploring the theme of “4”.

The first performance of Piece of 4 was on 4 June, 1982 in the Robert McDougal Art Gallery in Christchurch.

Kit Powell

• Powell: Piece of 4; facsimile  

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• Powell: Piece of 4; facsimile  

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• Kit Powell - 70th Birthday Celebration - Three Chance Pieces plus One 

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5 Singers - Sop (Bubbles), Sop/Mezzo (River), Mezzo (Monica), Bari (Sam), Bass (Billy) 1 Actor (Joe - spoken role) Flute, Clarinet (Bb/A), 2 Violins, Viola, Cello, Double Bass, Sound Effect Operator, 1 or 2 additional typewriter players.

• Adams: River Lavalle; computer set 

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• Adams: River Lavalle; computer set 

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• Chris Adams: River Lavalle; video 

  Media on Demand | Embedded
  

SATB choir of 40; soprano, mezzo and baritone soloists; Maori instruments: pukaea, koauau, putorino, purerehua, putatara, poiawhiowhio, karanga manu; Irish instruments: Irish flute, Uillean pipes, tinn whistles in F and C, bodhran; 2 french horns, 2 trumpets, 1 trombone; percussion: snare drum, conga, bass drum and woodblock; strings

Music drama for choir, kapa haka, orchestra, Maori and Irish instruments and soloists. Directed by Rangimoana Taylor, it includes Maori composition by Wi Kuki Kaa and lyrics by Lauris Edmond. It focuses on Nelson’s Maori-Pakeha history since 1841, stories that have contemporary resonances in Aotearoa/New Zealand.

• Fisher: Taku Wana - the enduring spirit; computer-set 

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• Fisher: Taku Wana - the enduring spirit; computer-set 

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• Taku Wana – the enduring spirit (May 1998) 

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• Taku Wana – the enduring spirit (May 1998) 

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• Fisher: Taku Wana 

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10 characters (7 singers) and children's chorus; 2 violins, viola, cello, double bass, flute, oboe, clarinet (in A), trumpet (in C), percussion, keyboard (playing piano and organ)

• Ritchie A.: The God Boy; Computer Set 

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• Ritchie A: The God Boy; computer-set 

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• Ritchie, A.: The God Boy; computer-set 

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• Ritchie A.: The God Boy  Year: 2004 

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• Anthony Ritchie and Jeremy Commons: The God Boy  Year: 2004 

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• Opera Otago: The God Boy by Anthony Ritchie  Year: 2004 

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