Search Music:

• Alfred Hill: String Quartets Vol. 1  Year: 2007 

  CD
  
  $15.00
  • • Quantity:
  • Borrow

• Alfred Hill: String Quartets Vol. 1  Year: 2007 

  CD
  
  $15.00
  • • Quantity:
  • Borrow

This quartet was dedicated to Henri Verbrugghen and the members of this string quartet, with specific dedications of the second movement to the violinist, David Nichol, the third to second violinist, Jenny Cullen and the fourth to Henri Verbrugghen himself. Though the inscription is missing one can reasonably assume the first movement was dedicated to the cellist, James Messens.


The first two movements are familiar to audiences through Hill’s transcription of them as the first two movements of his Symphony in C minor, The Pursuit of Happiness. The Scherzo was composed while Hill was a student in Leipzig and was orchestrated to form part of Symphony NO. 1 and the Finale also exists as a Rondo for cello or violin with piano. The second movement, Adagio ma non troppo, opens with an eight-bar melody in the viola, repeated by the first violin, and shows an English influence, with harmonic suspensions reminiscent of Edward Elgar. This is believed to be the first recording of the complete original work.


Donald Maurice
from Alfred Hill – String Quartets Vol. 2, NAXOS

• Alfred Hill - String Quartets Vol. 2 

  CD
  
  $15.00
  • • Quantity:
  • Borrow

Dated 6th December, 1934, String Quartet No. 8 in A major was most likely read through by the string quartet with which Hill was associated at that time, though no evidence of a public performance or recording has been found. The late Cedric Ashton, cellist in that quartet, told the publisher Allan Stiles that he remembered playing through the 1930s quartets during their regular rehearsals. It would seem that from this quartet onwards, Hill had found a vehicle to explore a new-found harmonic idiom, no doubt influenced by the European impressionists, whose sound-world would have undergone some time lag before entering the mainstream of musical taste in Australasia. While he continued to maintain a more conventional style for his ‘public’ works, this genre enabled Hill some scope for experimentation, with the music remaining unheard by the public. He commented in a television interview in 1957 that his heavily impressionistic Quartet No. 11 remained his favourite work of the genre. Quartet No. 8 is unified by thematic ideas and is clearly conceived as a complete entity.


Donald Maurice
from Alfred Hill – String Quartets Vol. 2, NAXOS

• Alfred Hill - String Quartets Vol. 2 

  CD
  
  $15.00
  • • Quantity:
  • Borrow

The manuscripts bear the date: ‘finished 20th January 1935’ on covers of the first violin part and the score and the last page of the latter. ‘Sydney 18th December 1935’, however, is on the cover of the cello part and ‘Sydney 14th December 1934’ is at the end of the score for the scherzo. The first performance was by the Alfred Hill Academy String Quartet on 14th October 1935.


The parts for the scherzo have their own cover pages with title and composer’s name (usually seen only at the beginning), leading to the conclusion that the scherzo was composed as an individual movement and later incorporated into this work. A curiosity is that ‘No.9’ appears to have been added to title Quartet for Strings in A Minor on the cover-pages sometime after they were written and only the name is at the head of the music. ‘No.9’ on the cover of the cello part is written over what initially was ‘No.10’. That, with similar evidence on some other quartet manuscripts and the results of literature research, leads to the conclusion that this was actually the tenth quartet. The nature of the missing quartet and reasons for its exclusion are uncertain.


Sometime in the 1950s Hill reworked this quartet to create Symphony in A Minor for String Orchestra , the score for which is undated. Andrew McCredie called this Symphony No.13 but there is no evidence for such a chronological placement. He had already published numbers for twelve symphonies before this one was located in the archive of the Australian Broadcasting Commission’s music library and had no alternative but to so number it. (It had been catalogued there as Serenade in A Minor, a title at the head of the music but not on the cover). It now seems appropriate to only use the name given by Hill, Symphony in A Minor for String Orchestra. The symphony is not merely the addition of a double bass part but a thorough reworking.


from Stiles Music Publications

• Alfred Hill: String Quartets Vol. 3  Year: 2009 

  CD
  
  $15.00
  • • Quantity:
  • Borrow

Hill’s Symphony No. 5 in A Minor – The Carnival, was derived, in 1955, from the 1912 String Quartet in A Minor. At the time of the original composition he had joined Cyril Monk’s Austral Quartet as second violin, but the transformation of the Carnival Quartet is complete. The work opens with a lively first movement, proceeding to an equally energetic Scherzo. The slow movement opens with a gently drawn-out melody, as always in the style inculcated in Leipzig in the 1890s and none the worse for that. The tradition survived with Hill in part because of his own conservatism but was also a result of his relative isolation from the mainstream of Western music and the new course it was taking, even in 1912, and most certainly by 1955. The Adagio is a fine example of music of an earlier age and is followed by an Allegro risoluto, a dance movement of varied textures, including an episode for solo violin and solemn chorale, framed by the emphatic Spanish-style dance that provides the main thematic element in the movement.

by Keith Anderson
from Alfred Hill – Symphonies Nos. 5 and 10, Marco Polo

• Alfred Hill - Symphonies No. 5 and 10  Year: 1999 

  CD
  
  $25.00
  • • Quantity:
  • Borrow