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• Brownlee: As if to catch the fleeting tail of time; computer-set 

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• Brownlee: As if to catch the fleeting tail of time; computer-set 

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• Philip Brownlee: As if to catch the fleeting tail of time; audio 

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• Philip Brownlee: As if to catch the fleeting tail of time; video 

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• Philip Brownlee: As if to catch the fleeting tail of time 

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• Two pieces by Philip Brownlee 

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• Audain: Compendium Improvisation 

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• Eric Biddington: Rendez-vous  Year: 2007 

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• Biddington: Concertos for Flute, Clarinet, Oboe, Viola and 2 Concerto Movements  Year: 2010 

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• Biddington: Concerto for Viola and Orchestra; computer-set 

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• Viola Concerto by Eric Biddington 

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• Eric Biddington - A Piece for Maurice 

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• Eric Biddington - Concerto for Viola and String Orchestra 

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• Eric Biddington: Rendez-vous  Year: 2007 

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• Biddington: Concertos for Flute, Clarinet, Oboe, Viola and 2 Concerto Movements  Year: 2010 

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• Rimmer: Cosmic Winds; facsimile 

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• Rimmer: Cosmic Winds; facsimile 

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• Rimmer: Cosmic Winds; CD 

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• New Zealand Selection 1 

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• Premieres 2004, Vol. 7  Year: 2003 

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Hinetekakara is the ancestress of Aroha Yates-Smith, the kaikaranga (singer) who provided the idea and the text of this piece. Hinetekakara lived on the shores of Lake Rotorua with Ihenga, her husband or father, an eponymous ancestor of the Te Arawa people, when the land was still being settled after the arrival of the Te Arawa canoe from central Polynesia. The four cadenzas, for bassoon, alto flute, flute, cello and bassoon, and bassoon link improvised sections, in which all the instruments participate. The singer initially invokes, accompanied by putatara (conch shell trumpet), the spirit of Hinetekakara, then addresses rituals following the death of her future father-in-law (with putorino), and then the birth of her son (with pumotomoto, an instrument used to assist at child-birth). A voiceless improvisation on pupu harakeke (flax snail), an instrument presaging danger, is followed by Ihenga’s anguished lament as he finds the murdered body of Hinetekakara by the lake, by the place named for her, Ohinemutu, meaning the end of the woman. Finally, she is farewelled as her spirit returns to the afterworld.

• Whitehead: Hinetekakara; computer set 

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• Whitehead: Hinetekakara; computer set 

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• Tuhonohono 

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• Norman: Inception to Infinity; computer-set 

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• Norman: Inception to Infinity; computer-set 

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• Matthew Marshall - Still Life with Guitar  Year: 2009 

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The march is connected with both military and alternative political gatherings. Trying to understand the form, I’ve been listening to Purcell’s Queen’s Funeral March, the conga playing of Quebec Summit protestors and the strangely military snap of Old Mother Hubbard (performed by the US Air Force Band). Revisiting this nursery rhyme, I was struck by the revolutionary aspirations of the last verse: The dame made a curtsey, The dog made a bow; The dame said, “Your servant,” The dog said, “Bow, wow.”

• Palmer: Mother Hubbard; electroacoustic part 

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• Palmer: Mother Hubbard; computer set 

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• Palmer: Mother Hubbard; computer-set 

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• Palmer: Mother Hubbard; computer-set 

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• Palmer: Mother Hubbard; computer-set 

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• Palmer: Mother Hubbard; electroacoustic part 

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• Music by Juliet Palmer I 

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• Phil Dadson: Sound Tracks - solo improvisations  Year: 2004 

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• Psathas: Saxophone Concerto; computer-set 

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• Psathas: Omnifenix; computer-set  Year: 2006 

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• John Psathas: Omnifenix (part 3 of 3); video 

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• John Psathas: Omnifenix (part 2 of 3); video 

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• John Psathas: Omnifenix (part 1 of 3); video 

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• Omnifenix (Part 2 of 3); Brecker; video 

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• Omnifenix (Part 1 of 3); Brecker; video 

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• Omnifenix (Part 3 of 3); Brecker; video 

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• John Psathas: Omnifenix 

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• John Psathas: View from Olympus (Three Concertos) 

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• Grenfell and Psathas: Works 

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• Psathas: Omnifenix (Saxophone Concerto) 

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• John Psathas: Various Works 

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