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Bryony Jagger  

A Nursery of Pain

Duration: 15' 00" Year: 1989
for solo treble recorder (with optional spoken voice )

Denise Hulford  

Evolution

Duration: 18' 00" Year: 1985
for narrator/tenor and orchestra

  • Instrumentation
    2220;2221;timp,2perc (xylo, bell tree, cymbals, gong, bass drum, triangle, tambourine, woodblocks, guiro, snare drum, vibraphone);strs.
  • Programme Note

    This work for narrator, tenor and symphony orchestra highlights the impact on nature of man’s questionable progress. This idea is taken directly from Hone Tuwhare’s poem The Sea! To The Mountains! To The River which is the text for the soloist. Evolution is one continuous movement interspersed with nine vocal sections.

  • Availability

Kit Powell  

Father's Telescope

Duration: 15' 00" Year: 1989
a playful music theatre piece for singer, speaker and tape about power and submission

Juliet Palmer  

How it Happened

Duration: 15' 00" Year: 2010
for narrator and ensemble

  • Instrumentation
    for bass clarinet in Bb, alto flute
    percussion — kick-drum, snare drum, low tom-tom, low woodblock, high woodblock, medium cowbell (muted), hi-hat, high ride cymbal, medium splash cymbal, thin metal sheet, cabasa, rainstick, tibetan bowl (F if possible), vibraphone, marimba;
    narrator — amplified with microphone and/or paper megaphone and power megaphone;
    piano (nylon fishing line rosined), violin and violoncello
  • Programme Note

    “In the beginning, there was nothing. Just the water.”
    “But where did all the water come from?”

    Throughout Thomas King’s novel the character of the trickster Coyote reappears, hopelessly bamboozled, trying to learn what really happened when the world began. Who knows the Real Story? Coyote would like to think he does, but then there’s Coyote’s Dream – “gets loose and runs around. Makes a lot of noise”. Coyote’s Dream has his own idea about things: “I’m in charge of the world”. By the end of the piece, you’ll be wondering where all that water came from…

  • Availability

Douglas Lilburn  

Landfall in Unknown Seas

Duration: 18' 00" Year: 1942
for string orchestra and narrator

Dorothy Freed  

Sounds and Winds of Wellington

Duration: 15' 00" Year: 1988
pastiche or farce for narrator and chamber ensemble

Helen Fisher  

String Quartet

Duration: 15' 00" Year: 1994
for string quartet

  • Programme Note

    This string quartet is performed as one movement. The first section is predominantly contrapuntal, including the opening bars where each performer sings ‘Aue’ (meaning ‘Alas!’, a Maori acclamation in some waiata tangi). The work continues with a section which features solo cello, followed by dance and song-like sections.

    Much of the work is based on the intervals of a minor third, semitone and tone. Karanga, Maori song-calls, performed by women on the marae to welcome or farewell people, are one source of inspiration for this piece. A characteristic musical feature of karanga is a long drawn out cry (glissando). Since there is often more than one caller on the marae, it is not uncommon for the calls to overlap.

    In October 1994 the New Zealand String Quartet gave its premiere performance at Lower Hutt. It is described as “quite probably the most successful synthesis of the contemporary Maori and European sound worlds.” Dominion 16-9-95.

  • Availability

Andrew Perkins  

The Radish and the Shoe

Duration: 16' 00" Year: 2010
for narrator and orchestra

  • Instrumentation
    Piccolo, Flute, Oboe, Cor Anglais, Bb Clarinet, Bass Clarinet, Bassoon, Contra-bassoon, 4 Horns in F, 3 Trumpets, two Trombones, Bass Trombone, Tuba, Timpani, Vibraphone, Congas, Snare Drum, Harp, Narrator, Strings.
  • Programme Note

    The story of “The Radish and the Shoe” was created by French Canadian artist Louise Jalbert and set to music by Andrew Perkins. Jalbert’s book won the Parents’ Choice Award when it was first published in California in 1984 and has since been republished. The characters, a Radish, a Shoe and a group of Letters, all reside inside a book which they call their home. One day a pair of scissors attacks the book, destroying the characters’ home, leaving them completely despondent. However, they pick themselves up and repair their book, and in the process inadvertently transform their ‘home’ into something more beautiful than before. The story is cleverly analogous with survival in the real world and one that has always rung resonances with the philosophical approach to life Andrew Perkins has always attempted to instill in his students.

  • Availability

Douglas Lilburn  

The Return

Duration: 17' 00" Year: 1965
for tape