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With spoken voice if the poems are read

Suite of pieces with poems that can be read between movements or omitted.

• Jagger: A Nursery of Pain; facsimile 

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This cycle of five songs for baritone and piano was awarded the Philip Neill Prize by the University of Otago in 1991. It expresses five perspectives on the concept of time, some humorous and some more contemplative.

• Grenfell: A Pinch of Time...; facsimile 

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• Grenfell: A Pinch of Time...; facsimile 

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• Grenfell: 2 pieces from "A Pinch of Time..."; computer-set 

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• Kowhai - an album of songs by NZ women composers  Year: 1994 

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• Grenfell: selected works 

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• Burning Bright - four NZ women composers  Year: 1999 

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horn, viola, cello, treble recorder and percussion (triangle, cowbell, gong, cymbal, tamtam, glockenspiel, vibraphone, snare-drum, bongos, four toms, bass-drum)

• Utting: Apocalypse; facsimile 

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• Utting: Apocalypse; facsimile 

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Organ stops as for Holy Trinity Cathedral, Parnell, Auckland

This work is a cantata for soprano and tenor soloists, SATB choir, flute, cello and organ. The texts are drawn from Psalm 22, verses 1 to 11, and Psalm 31, verses 9 to 14 interspersed with two poems by Hone Tuwhare, Nocturne and A Disciple Dreams. The work closes with a gentle setting of the prayer Our Father.

• Hulford: Cantata: A Disciple Dreams; facsimile 

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• Hulford: Cantata: A Disciple Dreams; facsimile 

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The 100 Voice Chorale based on the North Shore of Auckland commissioned Denise Hulford to write a Christmas Carol for the Choir. After spending some time searching for a poem with a happy tone to it, and not being able to find anything suitable, Denise commissioned Jenny Pattrick to write a poem. The poem that Jenny provided was exciting, accessible and quite humorous. The final work was a fun and Christmas focused composition which was most successful, and approximately the length of a short Cantata. The work has been performed a number of times, and has always been well received.

• Hulford: Chritmas Bells; computer set 

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• Hulford: Christmas Bells; computer-set 

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2*2*2* (doubling alto sax. in E flat) 2; 2200; 2 perc.; guitar (amplified); strings. Percussion: tam tam, bass drum, large suspended cymbal, wind chimes,glockenspiel, xylophone, bongos, 2 woodblocks (large and small), drum kit (including suspended cymbal, bass drum, small tom tom

Coming to It was commissioned by the Wellington Sinfonia (now Vector Wellington Orchestra) to collaborate with Sam Hunt. The poems and music speak from the heart about the everyday issues and concerns of ordinary people. There are poems about mothers, fathers, lovers, children and dogs. The poems touch on life and death, and the title incidents between that on the surface seem insignificant but have meaning for those involved. The scene is set in the opening poem, Coming to It. Some of the music is bluesy in character, as in the Plateau Songs, and some is folksy in style, as in A White Gentian, where the guitar and flute play a duet. Occasionally the music specifically describes the text, as in the hammering, migraine-like You House the Moon.

• Remember Parihaka - orchestral music by Anthony Ritchie  Year: 2009 

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This cycle is linked to The Rock, Whatipu for solo soprano, which preceded it without break in the 1990 performance – this is the ideal format.

This work is in five movements; the numbering of the movements relates to the cycle of poems by Denis Trussell (I, II, III, VII, X).

• Ker: Dances After the Haiku; facsimile 

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picc 21,C.A,22; 4231 timp, perc. 1 (xyl., glock., vib., tri., jawbone, crash cym., tub. bells), perc. 2 (tri., guiro, vib., tamtam, snare, siren, tamb.), perc. 3 (sus. cym., b.d., ride cym., tri., snare, crash cym., tamb., 4 toms, tamtam), hp, strings; SA childrens choir; SATB adult choir

• Marshall: Earthsong; computer-set 

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• Marshall: Earthsong; computer-set 

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• Marshall: Earthsong; computer-set 

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• Marshall: Earthsong; computer-set 

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This song cycle was composed in 1951 and is a setting of poems by Alistair Te Ariki Campbell, written as a memorial to Roy Dickson who died in an accident in the Southern Alps in 1947. The evocative settings range from the darkly sombre and dramatically powerful to the poignantly tender and sorrowful, reflecting both the moods and changing conditions of the New Zealand mountains and bush and the shifting emotions and expressions of grief over a life lost.

• Lilburn: Elegy; computer set 

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• Lilburn: Elegy; facsimile 

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• Lilburn: The Return and Elegy 

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• Lilburn: Elegy and The Return 

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• elegy  Year: 1999 

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2220;2221;timp,2perc (xylo, bell tree, cymbals, gong, bass drum, triangle, tambourine, woodblocks, guiro, snare drum, vibraphone);strs.

This work for narrator, tenor and symphony orchestra highlights the impact on nature of man’s questionable progress. This idea is taken directly from Hone Tuwhare’s poem The Sea! To The Mountains! To The River which is the text for the soloist. Evolution is one continuous movement interspersed with nine vocal sections.

• Hulford: Evolution; facsimile 

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• Hulford: Evolution; facsimile 

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