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The word azimuth originates from Arabic and means “the arc of the horizon to the zenith” (highest point ie straight above you). In this piece, the sense of the gradual movement from a still point to a climax is obvious.

The idea of an azimuth is very mathematical and have reflected this in the symmetry and balance of the work – creating a “calculated” path of progress – very suited to the minimalist inspirations at play.

Jeni Little

• Little: Azimuth; computer-set 

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• Little: Azimuth; computer-set 

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• Little: Azimuth; computer set 

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• Little: Azimuth 

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• Adams, C.: c.f. Martinu; computer-set 

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• Adams, C.: c.f. Martinu; computer-set 

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Crisp, quiet bubblings quickly escalate to organised chaos, only to be disconcerted by the trombone. Eventually restraining the woodwinds, the trombone comes to the fore with a slow melodic passage. Reminders of the opening effervescence gradually infect the calm, boiling to a frenzied finish.

• Morgan: disconcerted effervescence; computer set 

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• Morgan: disconcerted effervescence; computer set 

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• Works by Rachael Morgan 

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• Disconcerted Effervescence  Year: 2005 

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• Margetic: Dubina; computer-set 

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• Karlo Margetic: Dubina; audio 

  Media on Demand | Embedded
  

• NZCT Discovery Concerts 2006 Study Guide CD  Year: 2005 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Crossman: Majesty; computer-set 

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• Audain: Mangatangi; computer set 

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• Audain: Mangatangi; computer set 

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• Audain: Mangatangi; computer-set 

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• Yvette Audain: Mangatangi; audio 

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• Yvette Audain: Mangatangi; audio 

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• Audain: Mangatangi 

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• Audain: Mangatangi 

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Three minute-long pieces (the number three is important in other ways also) chronicling our heroic egg’s plunge into hot water (jostling for space in the pot); self-awareness (despair at not growing to be a fully-fledged chicken) and ultimate sacrifice at the dinner-table.

Written during a month-long residency in November 2005 at the Visby International Centre for Composers, Gotland, Sweden, and dedicated to this institute and its director Ramon Anthin. First performed by the Continuum Ensemble, Toronto, with narrator James Rolfe in Toronto in October 2006.

• Carey: Music to Boil an Egg By; facsimile 

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Three minute-long pieces (the number three is important in other ways also) chronicling our heroic egg’s plunge into hot water (jostling for space in the pot); self-awareness (despair at not growing to be a fully-fledged chicken) and ultimate sacrifice at the dinner-table.

Written during a month-long residency in November 2005 at the Visby International Centre for Composers, Gotland, Sweden, and dedicated to this institute and its director Ramon Anthin. First performed by the Continuum Ensemble, Toronto, with narrator James Rolfe in Toronto in October 2006.

• Carey: Music to Boil an Egg By; facsimile 

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A short piece based on a motif – being the musical transliteration of ‘Roland’.

• Carey: Piece breve sur le nom "Roland"; facsimile 

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• Carey: Piece breve sur le nom "Roland"; facsimile 

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