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• Palmer: Cypress; computer set 

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• Palmer: Cypress; computer set 

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“Duggan” was a television police-drama series in which Detective Inspector John Duggan (played by John Bach) was given grisly murder cases to solve, set against the scenic backdrop of New Zealand’s Marlborough Sounds. Gareth Farr composed music for the two pilot episodes in 1997 and 1998, and the 11 one-hour episodes made subsequently.


from Tangaroa – Trust Records

• Gareth Farr - Tangaroa  Year: 2008 

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• Farquhar: Fives; facsimile 

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• Farquhar: Fives; facsimile 

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• Farquhar: Fives; facsimile 

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Originally choreographed by Jamie Bull, this work can be performed as an instrumental work only. It was re-choreographed in 1991 by Mary-Jane O’Reilly and called Fresh in Exposed Places

• Buchanan: Just Looking; facsimile 

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• Buchanan: Just Looking; facsimile 

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• Tremain: Murder in the Cathedral; facsimile 

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• Phil Dadson: Peace Rites 

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• Freed: Sounds and Winds of Wellington; facsimile 

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• Freed: Sounds and Winds of Wellington; facsimile 

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In my work as a composer I have found bringing together classical and jazz musicians to be a rich and unique way of working. I have experience in both fields and my compositional talent and interest lies genuinely across the two art forms.

This piece has been specifically composed for these performers and their unique sets of skills. Each performer is of a very high calibre and each possesses something special and unique in their playing and approach to music making. Mike Kime and Reuben Derrick often have moments of freedom as they are both accomplished improvisers. Gretchen Dunsmore and Mark Le Roche are classically trained performers with excellent skills and intelligent ears and minds. I knew that each of them would bring something to the work that would be unique and exciting.

More recently my creative interest in movement and form has expanded to contemporary dance and I wanted to involve and include another artistic discipline in this work. Collaborating with Julia Milsom has been an exciting new venture for me. The nature of the sounds within the piece are highly applicable to contemporary dance and have been interpreted and expressed with considerable talent and skill by Julia.

Layers of sound in time is a theme I have developed extensively in the piece. The layers interact, evolve, contrast, compliment, and conflict with each other to create a depth of space and time between them.

The work is an exploration of the timelessness that comes in moments of deep introspection through evocative sounds and movement.

Alex van den Broek

• van den Broek: Still Standing Silent; computer-set 

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• van den Broek: Still Standing Silent; computer-set 

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• Alex van den Broek: Still Standing Silent; video 

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• Alex van den Broek: Still Standing Silent  Year: 2009 

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Time is cut open. Time is dismantled. It is this gateway that we open and close to really observe movement, and to glimpse Spirit. In this work it is the reunion of separated or broken parts that finds fluidity and wholeness. The compass of the dance is given full articulation in this state – we can appreciate the elegance and the mastery of the human form in space.

Time Dance is in one sense a study of the dancer in action. Sinews of time – this is the algebra. It is not only examining but also restoring – reuniting from fragments of time – these pieces of time are coalescing to make the dance. When the figure pauses, the cascading echoes created through dance catch up with it. These are the monuments. When we catch up with ourselves we create a harmonic in space time. It is another way of celebrating being human. In the work we observe the relationship and sense of belonging to our home planet, Earth. This is geological, and thalassic – like a great cloak of emotion, the geometric grids and moving point maps are energetic prints containing our stories, our journeys, our pain, fear, beauty, love and joys. They are rippling beyond time, across time with the emotional frequencies that make up what it is to be human. This is also a dance. Time will quiver. I want to magnify silence and distort stillness. The geometry is a field of consciousness. Ultimately our physical bodies are the products of wave actions. The shadow is going into a wave space – and that alters the way we see everything.

Source: http://www.michaelnorris.info

• Norris: TIMEDANCE; computer set 

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• Norris: TIMEDANCE; computer set 

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• Michael Norris: TIMEDANCE; video (excerpt) 

  Media on Demand | Embedded
  

• Michael Norris: TIMEDANCE; video (excerpt) 

  Media on Demand | Embedded
  

• Michael Norris: TIMEDANCE; video (excerpt) 

  Media on Demand | Embedded
  

• Michael Norris: TIMEDANCE; video (excerpt) 

  Media on Demand | Embedded
  

• Michael Norris: TIMEDANCE; video (excerpt) 

  Media on Demand | Embedded
  

• Schulz: Transmigration - Reincarnation of a Nightmare; facsimile 

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• Schulz: 'Transmigration - Reincarnation of a Nightmare'; facsimile 

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