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• Ritchie A.: A Mid-Term Trio; facsimile 

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• Smythe: Ashes; facsimile 

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• Key: Barristers of the Blues; computer-set 

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• Premieres 2004, Volume 4 

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• Hextall: Beating Cry; computer-set 

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• Hextall: Beating Cry; computer-set 

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Black Sand began as an investigation of possible cello sounds and their variations, which I composed into a solo line using a devised compositional system, balancing initial conscious choices with chance elements. I also utilised an aleatory process to generate material for the rest of the ensemble by treating the possible gestural fragments in a number of categories (dynamics, articulation, instrumental technique, and orchestration). Underpinned by a rotational pitch structure, and due to the severe limitation on pitch and sonority, Black Sand unfolds as a bare and very atmospheric piece.

• Antonia Barnett-McIntosh: Black Sand - hardcopy score & parts 

  Score and parts | Hardcopy - computer set
  
  $40.00
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• Antonia Barnett-McIntosh: Black Sand - downloadable PDF 

  Score and parts | Pdf - computer set
  
  $27.00
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• Antonia Barnett-McIntosh: Black Sand; audio 

  Media on Demand | Embedded
  

• Antonia Barnett-McIntosh: Black Sand - downloadable mp3 

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Dry Shadows draws on the idea of fragmentary colouring, and the trajectory and resonance of these fragments through blending different combinations of the instruments. It inhabits a sparse world of very specific material and gestural flow. Intentionally discontinuous, Dry Shadows explores the sound relationships between and across the instruments. Sudden loud, spiky punctuations in the music, as well as the numerous more delicate colours and shadowy sonorities in between these interjections, give rise to a sense of mystery in the music.

• Antonia Barnett-McIntosh: Dry Shadows - hardcopy score & parts 

  Score and parts | Hardcopy - computer set
  
  $27.50
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• Antonia Barnett-McIntosh: Dry Shadows - downloadable PDF 

  Score and parts | Pdf - computer set
  
  $19.00
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• Antonia Barnett-McIntosh: Dry Shadows; audio 

  Media on Demand | Embedded
  

• Antonia Barnett-McIntosh: Dry Shadows - downloadable mp3 

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• Vidulich: Duet; facsimile 

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• Farquhar: Duet for Harmonica and Guitar; facsimile 

  Full score | Pdf - facsimile
  

• Farquhar: Duet for harmonica and guitar; facsimile 

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• Farquhar: Duet for Harmonica and Guitar; facsimile 

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  $12.00
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• Carlé: Each of Two; facsimile 

  Full score | Pdf - facsimile
  

• Carlé: Each of Two; facsimile 

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• Carlé: Each of Two; facsimile 

  Parts - written | Hardcopy - facsimile
  

• Compositions by Emma Carlé  Year: 2002 

  CD
  
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Composed in Dunedin in 2000 at the beginning of my year as Mozart Fellow at the University of Otago, these pieces were inspired by the sight of green tree tops surrounding the Mozart Fellow room at the University’s School of Music building, and also by the restful feeling of the landscape around Dunedin. The fifth of these Pastorales was subsequently arranged for violin and piano as the second movement of A Little Suite for Yuji and Rieko.

• Carey: Five Pastorales; facsimile 

  Full score | Pdf - facsimile
  

• Carey: Five Pastorales; facsimile 

  Full score | Hardcopy - facsimile
  
  $5.00
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