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• Psathas: Spike; computer-set  Year: 1998 

  Score and parts | Hardcopy - computer set
  
  $47.00
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• Psathas: Spike; computer-set  Year: 1998 

  Parts - written | Hardcopy - computer set
  

• Psathas: Spike; computer-set  Year: 1998 

  Full score | Hardcopy - computer set
  
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• John Psathas: Spike; video 

  Media on Demand | External - video
  

• Preview - a journey to Olympus, and beyond 

  CD
  
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• John Psathas: Spike 

  Digital sound file - MP3
  
  $5.00
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• SOUNZfine Volume 3 

  CD
  
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• John Psathas: Rhythm Spike  Year: 1999 

  CD
  
  $30.00
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• Powell: The Green Man; Computer set 

  Full score | Hardcopy - computer set
  
  $14.00
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“Serious fun” is the best way to describe this lively and entertaining set of three contrasting pieces. Gareth Farr wrote Three Little Pieces for Eve for the occasion of a friend’s birthday. It showcases Farr’s comic wit and clever writing. The percussionist uses household objects including bottles, flowerpots, mixing bowls and a triangle. Three Little Pieces for Eve is sure to add a good mixture of variety and demonstration of skill to any recital programme and perhaps a fun birthday celebration too.

• Farr: Three Little Pieces for Eve; computer set 

  Score and parts | Hardcopy - computer set
  
  $39.00
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As part of the 1998 Sunday Concert series of the Wellington Chamber Music Society, Gareth Farr and pianist Dan Poynton presented a concert of music for percussion and piano, which had the unifying theme of the New Zealand forest. The concert hall was decked out with potted plants and giant fern fronds for the occasion, and the eclectic programme included the new arrangement of Poyton’s Moa and the specially-composed companion-piece, Tuatara. Each was named after a creature unique to New Zealand’s native fauna – the moa was a giant, flightless and now extinct bird, and tuatara is a remarkable reptile, thought to be a species which has existed since the time of the dinosaurs.


Tuatara is based on two musical idea which are heard concurrently at the beginning. A jaunty, angular, syncopated theme in the piano part is set against the marimba’s running semiquavers. The musical argument of the work is entirely derived from these two ideas, which are exchanged between the instruments and subjected to development by variation. The percussion part is enhanced through the additional of tom toms and cymbals as the work proceeds.


from Tangaroa – Trust Records

• Farr: Tuatara; computer-set  Year: 2004 

  Score and parts | Hardcopy - computer set
  
  $47.00
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• Gareth Farr - Tangaroa  Year: 2008 

  CD
  
  $30.00
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In these pieces for a ‘chamber grouping’ of just three gamelan instruments, I used as the basis for composition a combined scale made up of pelog and slendro. The first piece combines a repeated ostinato and melody in a laid-back ‘bluesy’ kind of way. The second piece is a wholly serial composition consisting of a repeated cycle; the three performers play each note of their instrument once only (making a complete cycle) before again the notes are played in the same order, although the ensemble can be varied in the subsequent repetition. Written for Wellington’s Gamelan Padhang Moncar to perform at the Beat International Festival of Gamelan held in Wellington in 1999, and recorded on CD by them on Portal 1001/2.

• Carey: Two Pieces for Three Gamelan Players; facsimile 

  Full score | Hardcopy - facsimile
  
  $7.00
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• Beat! International Festival of Gamelan  Year: 1999 

  CD
  
  $30.00
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• Agus and Friends  Year: 2001 

  CD
  
  $30.00
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• Omar Carmenates: The Gaia Theory CD  Year: 2012 

  CD
  
  $33.00
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• Omar Carmenates: The Gaia Theory CD  Year: 2012 

  CD
  
  $33.00
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• Meridan: without a sound; computer set 

  Full score | Hardcopy - computer set
  
  $8.50
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