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Eve de Castro-Robinson  

Chaos of Delight IV

 Year: 2008
for piccolo/flute and bassoon

  • Programme Note

    Chaos of Delight IV continues my series of works inspired by NZ birdsong (Chaos of Delight I for bass clarinet, Chaos of Delight II for soprano, Chaos of Delight III for women’s voices) and in this case is a short, theatrical duo written especially for the talents of my colleagues Luca Manghi and Ben Hoadley. Some more recognizable birdcalls are: the thrush calls played by piccolo; the Paradise Duck in the bassoon; the Kokako played by both in unison and the Little Blue Penguin in the fluttertongued basson.

    The work was premiered by the duo on October 22nd, 2008 in Auckland.

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Chris Watson  

E pari, e te tai

Duration: 11' 00" Year: 2004
for wind quintet

Jodi Chen  

Invisible waves

Duration: 04' 25" Year: 2002
for solo flute

  • Programme Note

    Invisible Waves, inspired by the Orewa Beach in Auckland, imitates the evening sea waves, sound of the seagulls accompany the sunset. The melodic material derives from a set of four-note A, G#, F, and D. The ascending scale-like motif appears several times to imitate the flow of sea waves.

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Eve de Castro-Robinson  

Knife Apple Sheer Brush

Duration: 05' 00" Year: 2006
for vocalising flautist

Peter Willis  

Timepiece

Duration: 07' 50" Year: 2006
for clarinet quartet

  • Instrumentation
    for three b flat clarinets, and one b flat bass clarinet
  • Programme Note

    In the spirit of recycling, Timepiece uses music of the past in new ways. The three-note motif that pervades the work is a transcription of a bellbird song (previously used in my piece Bush Telegraph). I also quote from Mahler, The Beatles, and a famous clock tune.

    Timepiece is a clarinet quartet, composed for The Committee’s ‘Clock Works’ concert in Auckland University’s Clocktower. In a minimalistic style, it includes hocketing, spatial effects, birdsong, and musical quotation.

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