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• Heenan: Chunuk Bair; facsimile 

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This work for solo flute and tape uses various modern playing techniques. Form inspired by a picture by Kokoschka.

• Powell: Floetenspieler und Fledermaeuse; facsimile 

  Graphic score - full score | Pdf - facsimile
  

• Powell: Flötenspieler und Fledermäuse; facsimile 

  Graphic score - full score | Hardcopy - facsimile
  
  $10.00
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• Powell: Flötenspieler und Fledermäuse; electroacoustic part 

  CD
  
  $7.00
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• Powell: Prepared Tape  Year: 1994 

  Cassette
  
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• Buchanan: Flute Song for the Birds; computer set 

  Full score | Pdf - computer set
  

• Buchanan: Flute Song for the Birds; facsimile 

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• Little Dancings - a selection of flute music by New Zealand composers  Year: 1998 

  Score and parts | Hardcopy - computer set
  
  $35.00
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• Taurangi - New Zealand Music for flute and piano  Year: 2004 

  CD
  
  $35.00
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Invisible Waves, inspired by the Orewa Beach in Auckland, imitates the evening sea waves, sound of the seagulls accompany the sunset. The melodic material derives from a set of four-note A, G#, F, and D. The ascending scale-like motif appears several times to imitate the flow of sea waves.

• Chen: Invisible Waves; computer-set 

  Full score | Hardcopy - computer set
  
  $17.50
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• Chen: Invisible Waves; computer-set 

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This stylised, visceral ‘take’ on some of the composer’s favourite Len Lye texts achieves a heightened expression to match the whimsy and wackiness of his wonderful words.

Notes taken from Ritual Auras, Atoll CD (ACD 842)

• Eve de Castro-Robinson: Knife Apple Sheer Brush; audio 

  Media on Demand | Embedded
  

• New Zealand Music for Woodwind 

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• Ritual Auras - Karlheinz Company  Year: 2011 

  CD
  
  $30.00
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I began writing this piece in the shadow of both the East Timor crisis and the death of my good friend and sometime mentor of many years, the musicologist and historian John Mansfield Thomson. These events modified both the original formal ideas and the detail of the piece. William’s ‘A Dictionary of the Maori Language’ gives four meanings for taurangi: “unsettled”, “changing or changeable”; “incomplete, unsatisfied, unfulfilled”; “to grieve for”; and “wanderer”. Taurangi was commissioned by the New Zealand International Festival of the Arts, during which it received its first performance by Bridget Douglas and Rachel Thompson, in March, 2000.

• Whitehead: Taurangi; computer-set 

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• Whitehead: Taurangi; facsimile 

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• Tuhonohono 

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• Tuhonohono: Music by Gillian Whitehead 

  DVD
  
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• NZIAF: Gillian Whitehead Portrait; part 1 

  CD
  

• Gillian Whitehead: Various Works 

  CD
  
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• Waiteata Collection of New Zealand Music Vol. 3 - Composer Portrait: Gillian Whitehead  Year: 2000 

  CD
  
  $15.00
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• Taurangi - New Zealand Music for flute and piano  Year: 2004 

  CD
  
  $35.00
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Te Tangi A Te Matui (The Call of the Matui), a work for solo flute, traces a delicate web between instrument and voice. This work is based on a Maori karakia , which the flautist sings and then blends with the sound of her instrument. The ornate flute style is inspired by that of the small Maori flute, the koauau. Te Tangi A Te Matui is dedicated to the memory of the composer’s mother, Freda McKee.

• Fisher: Te Tangi and Wings of the Wind; computer set 

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  $35.00
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• Helen Fisher: Various Works 

  Cassette
  
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• SOUNZfine Volume 3 

  CD
  
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• Helen Fisher: Matairangi  Year: 1998 

  CD
  
  $30.00
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• Sound Barrier  Year: 2006 

  CD
  
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