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Dorothy Ker  

[...and...1]

Duration: 13' 00" Year: 2003
for clarinet in A

  • Programme Note

    This piece was composed in close collaboration with Andrew Sparling whose facility in using quarter-tone fingerings made it possible to experiment with these to produce music which exploits their timbral and colouristic qualities. It was stimulated by a return visit, following a seven-year absence, to New Zealand in 2002. Imagery of the sea is strong within its musical/poetic discourse and the piece is broadly structured over a cycle of seven ‘intensity waves’. The title is shared by an earlier work […and… 11] for 12 players (composed for Lontano in 2002). The link between these contrasting works is the morphology of the wave, encapsulated as a sonic envelope of aspirate (a) – resonant (n) – explosive (d), along with the extremes of space that are characterised in the music by extreme contrasts in dynamic, register and motion. Sparling has performed and recorded the piece in a number of different realisations. In April it was performed by Australian player Richard Haynes at the TURA International Festival in Perth and broadcast by ABC.

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Edwin Carr  

Aubade

Duration: 09' 00" Year: 1970
for clarinet and piano

Dorothy Buchanan  

Autograph - Richard Foreman

Duration: 02' 00" Year: 1986
for solo clarinet

Ross Carey  

Circles in Circle (Auckland Greeting)

Duration: 01' 00" Year: 2003
for solo clarinet

Jonathan Besser  

Coldwater Light Bulb

Duration: 03' 00" Year: 2005
improvisation for bass clarinet and piano

Yvette Audain  

Compendium Improvisation

Duration: 16' 00" Year: 2006
improvisation for solo clarinet

John Elmsly  

Dialogue II

Duration: 14' 00" Year: 1988
for clarinet and piano

Ray Twomey  

Diversion (Opus 1)

Duration: 05' 00" Year: 1963
for clarinet or oboe and piano

Jeroen Speak  

Epeisodos

Duration: 10' 00" Year: 1998
for E flat clarinet

Tecwyn Evans  

Five miniatures for a Week in August

Duration: 06' 00" Year: 1994
for clarinet