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This piece was composed in close collaboration with Andrew Sparling whose facility in using quarter-tone fingerings made it possible to experiment with these to produce music which exploits their timbral and colouristic qualities. It was stimulated by a return visit, following a seven-year absence, to New Zealand in 2002. Imagery of the sea is strong within its musical/poetic discourse and the piece is broadly structured over a cycle of seven ‘intensity waves’. The title is shared by an earlier work […and… 11] for 12 players (composed for Lontano in 2002). The link between these contrasting works is the morphology of the wave, encapsulated as a sonic envelope of aspirate (a) – resonant (n) – explosive (d), along with the extremes of space that are characterised in the music by extreme contrasts in dynamic, register and motion. Sparling has performed and recorded the piece in a number of different realisations. In April it was performed by Australian player Richard Haynes at the TURA International Festival in Perth and broadcast by ABC.

• Ker: [...and...1]; computer-set 

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• diffracted terrains: Chamber Music of Dorothy Ker  Year: 2007 

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Taken from the Spanish word ‘Alborada’, Aubade (dawn) references Ravel’s great work Alborada del Gracioso. Opening with slow lyrical section the mood ranges between languid and energetic, contrasting the opening material with characterful Allegro sections. Originally composed for clarinet and piano, the piece was later orchestrated for Frank Gurr, at that time principal clarinet of the New Zealand Symphony Orchestra.

• Carr: Aubade; computer-set 

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• New Works for Clarinet and Piano - Anna McGregor, Emma Sayers and Buz Bryant-Greene 

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• Buchanan: Autograph - Richard Foreman; facsimile 

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• Buchanan: Autograph - Richard Foreman; facsimile 

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Composed on my return to New Zealand after living for two years in Toronto; based on a randomly generated sequence of notes from Hong Kong composer Joshua Chan’s piece Circular Triangle.

This musical greeting received its first performance in Auckland in October, 2003 at the 09(03) Contemporary Music Festival. The performer on that occasion was violinist Mark Menzies.

• Carey: Circles in Circle (Auckland Greeting); facsimile 

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• Carey: Circles in Circle (Auckland Greeting); facsimile 

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• Jonathan Besser and Andrew Pask: Griffith Park  Year: 2005 

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• Audain: Compendium Improvisation 

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• Elmsly: Dialogue II; facsimile 

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• Elmsly: Dialogue II; facsimile 

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Composed for Clarinet and Piano or String Orchestra. The Romance is Ray’s first composition and the Dance is based on an aria from the children’s opera “The Three Shepherds”.

• Twomey: Diversion (Opus 1); computer-set 

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• Twomey: Diversion; computer-set 

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• New Zealand Music for Creative Dance (Volume Two) 

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• Reflections - Music Composed by Ray Twomey 

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• A New Dawning  Year: 1999 

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• Speak: Epeisodos; computer set 

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• Speak: Epeisodos for E flat clarinet; computer-set 

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• Jeroen Speak: Epeisodos; audio 

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• 175 East Vol 7 

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• 175 East Vol. 8 

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• Jeroen Speak: Epeisodos 

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• Evans: Five miniatures for a week in August; computer set 

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• Evans: Five miniatures for a week in August; computer-set 

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