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I. Preludio is based on the phrase heard at the start of the piece; elaborated with triadic harmonies. II. Variazioni is a simple intervallic theme with variations. Composed for guitarist Kazuhito Yamashita, who requested a piece for solo guitar. He first performed the work at Kirishima, Kyushu in February, 1996.

• Carey: A wish; facsimile 

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• Carey: A wish; facsimile 

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• Body: African Strings; computer-set 

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• Jack Body: African Strings 

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• Jack Body: Pulse  Year: 2001 

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• Farquhar: Anniversary Duos for Two Guitars; facsimile 

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• Farquhar: Anniversary Duos for Two Guitars; facsimile 

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• Brownlee: As if to catch the fleeting tail of time; computer-set 

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• Brownlee: As if to catch the fleeting tail of time; computer-set 

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• Rimmer: Compositions 1-5; electroacoustic part 

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• Rimmer: Composition 3; electroacoustic part 

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• Rimmer: Compostition 3; computer set 

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• Rimmer: Composition 3; computer-set 

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• New Zealand Electronic Music 

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• New Zealand Electronic Music 

  Vinyl (LP or EP)
  

• Lardelli: First Ice; computer-set 

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• Dylan Lardelli; First Ice; audio 

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• Four Works by Dylan Lardelli 

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• Dylan Lardelli 

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• Farquhar: Five Scenes; computer-set 

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‘The Four Leunig Pieces’ for guitar were written for David Malone to perform at the 2002 Darwin International Guitar Festival. The pieces are musical impressions inspired by the whimsical cartoons from “Short Notes on the Long History of Happiness” by Melbourne cartoonist Michael Leunig: ‘How to get there’, ‘Atmosphere’, ‘Spring Diary of a Small, Brown Bird’, and ‘Love’.

• Grenfell: Four Leunig Pieces; computer-set 

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• Grenfell: Four Leunig Pieces; computer-set 

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• David Malone: Fretsongs  Year: 2003 

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Transcribed for guitar by Gunter Herbig and John Rimmer

• Hauturu - Where the Winds Rest  Year: 2007 

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New Zealand Suite for Guitar is Bruce Paine’s first composition for classical guitar. The aim was to create a work with immediate appeal to guitarists and audiences alike, and one that might be considered suitable professional concert repertoire.

Written in the early part of 2007, the three movements of the suite were a response to the composers experience of the beautiful landscape and scenery of New Zealand’s South Island. The first piece Mountain Cascade echoes the movement of mountain streams in particular near Mount Cook, where the water tumbles and bounces over rocks then suddenly calms as it reaches a lake. Rotoiti Twilight conjures up the atmosphere of an evening stroll from the village of St Arnaud in the Nelson Lakes District to the tranquil shores of Lake Rotoiti. The Forest Awakens presents a contrasting morning scene, again on the shores of Rotoiti, where native birds sing passionately and animals stir along the “Bell Bird Walk”.

The intention was for this suite to be easily playable and a possible concert opener that would not be too physically demanding. To an extent this has been achieved but a reasonably high level of proficiency is required to achieve a convincing performance, particularly with the third movement that requires great dexterity and stamina.

• Paine: New Zealand Suite for Guitar; computer-set 

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• Paine: New Zealand Suite for Guitar; computer-set 

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• Bruce Paine - Lateral Lines 

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